Posts by Prophet

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    Ofcom has stepped in after BT customers complained the £5 charge for the new BT Sport Europe was an extra cost that hadn’t been previously agreed.


    BT agreed to pay £897 million over three years for exclusive coverage of the Champions League and launched the new channel in addition to the now established BT Sport. It also moved coverage across to BT Sport Europe from BT Sport.


    The telco wrote to customers in June and July informing them that the charge would start being added to their bills from August 1 unless they contacted them by July 31 to downgrade to a new BT Sport Lite – that carried BT Sport alone – or cancel.


    BT Sport was previously free to BT broadband customers in a minimum term agreement. Although the BT Sport Pack remains free for its BT TV television customers that sign up to a further minimum term agreement, BT’s broadband-only users now have to pay £5 each month for the BT Sport Pack. Alternatively, they can receive BT Sport Lite for free.


    Following Ofcom’s intevention, BT has agreed to give customers up to four weeks after they receive their first bill that includes the new £5 monthly charge to complain to BT.


    It’s also told the regulator that it’s planning to review the terms and conditions relating to the BT Sport contract.


    Source : http://www.broadbandtvnews.com…ort-europe-charge-unfair/

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    Premier League & NBC agree new TV rights deal


    The Premier League has announced a new deal with American broadcaster NBC Universal to show live games for the next six years.
    US rights were already with NBC Universal at a price of $83m a season.


    The Premier League has been negotiating its latest round of overseas television rights, having secured a record £5.1bn three-season domestic deal with BT Sport and Sky, which starts in 2016-17.


    That dwarfs the existing £1bn-a-season agreement currently in place.


    The new US agreement covers all Premier League matches in seasons 2016-17 to 2021-22.


    Premier League chairman Richard Scudamore said NBC Universal's coverage of the previous two seasons had "driven interest in our clubs, and the competition as a whole, to unprecedented levels".

    The official live stream of Sky News has been pulled from YouTube after a copyright complaint from competing news outlet Fox News. Instead of the latest news, visitors to Sky News' website are greeted with a black screen stating that Sky violated Fox's copyrights.


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    Week in and week out copyright holders scour the Internet to detect and report millions of alleged infringements.


    On YouTube most takedown notices are automated through the Content-ID system, a tool which allows rightsholders to upload their work and take down unauthorized copies.


    Unfortunately this process is far from flawless which results in many false and inaccurate DMCA claims. We’ve highlighted this issue before, but today it’s literally hitting mainstream news.


    Starting a few hours ago the online live feed of Sky News stopped working. Not because of a technical issue, but due to a copyright complaint from rival news network Fox News.


    As a result, visitors to the Sky News Live stream page, which is hosted by YouTube, are now welcomed by the following message.


    “This video is no longer available due to a copyright claim by Fox News Network, LLC.”


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    There is no further information available on the reason for the takedown, but it seems plausible that it’s the result of a Content-ID mismatch.


    Fox News is adding its broadcasts to YouTube’s system and this most likely included the same footage Sky News showed. This would make sense, as many news organizations rely on the same independently licensed material.


    At the time of writing the official Sky News Live feed on YouTube is still offline. There is an alternative live feed available through YouTube that still works.


    Unless there’s a real copyright feud between Sky News and Fox News this latest example shows that YouTube’s Content-ID system is far from optimal. In this case, the error will probably be swiftly corrected, but for independent publishers it can take weeks for their content to be reinstated.


    TF contacted Sky News and Fox News Network, which are both are owned by Rupert Murdoch, for a comment. At the time of publication we haven’t heard back yet.


    Update: Fox also took down its own livestream briefly, which supports the theory that it’s the result of a Content-ID mismatch.

    TV, phone and broadband services probed after customers claim requests had to be verified over phone with calls lasting up to two hours


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    Sky insists majority of cancellations take 20 minutes, and have an average customer feedback score of 8.7/10


    The broadcasting watchdog Ofcom is investigating Sky over concerns that customers’ attempts to cancel their contracts are being ignored.


    Ofcom launched the investigation, which will look at Sky’s TV, phone and broadband services, after monitoring the way that providers across the board give customers opportunities to cancel their contracts.


    Officials are looking into the broadcaster after receiving complaints that it was making it difficult for customers to cancel their subscriptions, a spokeswoman for Ofcom said.


    Providers must not make it difficult for customers to leave a contract when they have a right to, according to rules overseen by Ofcom.


    Reports in the media spanning several years detail complaints by Sky customers that it was ignoring written requests to cancel contracts, even after the contract’s minimum terms had ended.


    Telegraph Money reports Sky routinely refused to accept cancellations unless customers verified their requests over the phone. That’s despite contracts stating that customers can also cancel by letter, fax and email.


    But even when customers did call they faced barriers, it is claimed, with some forced to sit through calls lasting as long as two hours then still having their cancellation ignored.


    It is not known how long Ofcom’s investigation will take, a spokeswoman for the watchdog said. Investigations can often last between six and nine months. The regulator will be speaking to consumers and continuing to monitor complaints during its investigation.


    “Most people will just complain to Sky, but if they are facing a brick wall we are encouraging people to complain to Ofcom as well,” the spokeswoman said. Ofcom cannot deal with individual complaints, but she added: “What that does do is let us analyse the issues that are being complained about most.”


    The investigation comes after Ofcom last month rejected a call from BT to launch a full-scale investigation into the pay-TV market. BT has been engaged in a war of words with Sky as the two companies compete to offer bundles of services that include TV channels and broadband, and in some cases mobile services.


    Responding to the investigation and media reports, Sky insisted that the majority of its cancellation calls take less than 20 minutes and pointed to customer feedback scores that average 8.7 out of 10.


    A Sky spokesperson said: “We’re committed to delivering the best service in the country and we believe this is one of the reasons why more customers than ever are choosing Sky. We will work closely with Ofcom to help them with their investigation.”

    The High Court recently overturned private copying exceptions introduced last year by the UK Government, once again outlawing the habits of millions of citizens. The Intellectual Property Office today explains that ripping a CD in iTunes is no longer permitted, and neither is backing up your computer if it contains copyrighted content.


    Late last year the UK Government legalized copying for private use, a practice which many citizens already believed to be legal.


    The UK Intellectual Property Office noted that the changes were “in the best interest” of consumers and that they would bring copyright law into the 21st century.


    However, the new regulation was short-lived. Fearing a loss of income several music groups objected at the High Court, which subsequently agreed that the new legislation is unlawful.


    As a result the changes were overturned last month and the previous limitations were reinstated. To find out what the public can and can’t do under the law, TF reached out to the UK Intellectual Property Office, which provided some very clear answers.


    “It is now unlawful to make private copies of copyright works you own, without permission from the copyright holder – this includes format shifting from one medium to another,” a spokesperson informed us.


    The IPO specifically notes that copying a CD to an MP3 player is not permitted. This means that iTunes’ popular ripping feature, which Apple actively promotes during the software’s installation, is illegal.


    Also, under the current law iTunes is actively facilitating copyright infringement by promoting their CD-ripping functionality. This means that the company could face significant claims for damages.


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    There is more though, as the law affects much more than just ripping CDs. Simply copying a song in an automated computer backup or storing a copy on a private cloud hosting service is also against the law.


    “…it includes creating back-ups without permission from the copyright holder as this necessarily involves an act of copying,” we were informed by the Government spokesperson.


    Strictly speaking this means that UK citizens are not allowed to make a backup of their computer. After all, pretty much every computer contains copyrighted media. Needless to say, this turns almost the entire country into ‘outlaws’.


    The Government is not happy with the High Court decision but it hasn’t decided whether it will propose revised private copying exceptions in the future. Copyright holders previously suggested allowing private copying in exchange for a tax on blank CDs and hard drives.


    “As this is a complex area of law, the Government is carefully considering the implications of the ruling and the available options, before deciding any future course of action.”


    As reassurance, the Government notes that that people shouldn’t be too concerned because copyright holders are not known to come after people who make a backup of their computers.


    “The Government is not aware of any cases of copyright holders having prosecuted individuals for format shifting music solely for their own personal use,” the IPO spokesperson says.


    However, copyright holders can take people to court over both CD-ripping and computer backups, if they want to.

    BT vs Sky is football's multi-billion pound rivalry as Champions League gets new home and broadcasters fight over La Liga... so who is showing what this season?


    - The battle between Sky Sports and BT Sport over TV rights is hotting up
    - Champions League coverage will switch from Sky to BT this season
    - BT are obliged to show one match per week on free-to-air channel
    - Sky retain the bulk of the Premier League coverage each weekend
    - They will show 116 games, while BT will screen 38 from top flight
    - The two broadcasters are at odds over coverage of La Liga


    The intense rivalries on the football field are now matched by an equally heated power struggle off it as Sky Sports and BT Sport go head to head to beam live coverage into your living room.
    As the new season begins, armchair fans can enjoy more televised football than ever before, but they also pay more than ever for the privilege.
    The escalating arms race between Sky and BT has led to spiralling prices for live rights with costs then typically passed on to the consumer in some way or another.


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    The Sky Sports Premier League punditry team of (left to right) Graeme Souness, Jamie Carragher, Thierry Henry, Jamie Redknapp and Gary Neville will be talking us through the new season


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    The BT Sport punditry team at the launch of their Champions League coverage, including Michael Owen (left), Gary Lineker (front), Steven Gerrard (second right) and Ian Wright (right)



    BT's stunning capture of Champions League rights from this season rocked Sky, who responded by paying a record £4.18bn to ensure they retained the bulk of the Premier League coverage up to 2019.
    Now a new battle has broken out over the rights to Spanish football coverage, which seems set to switch to BT this season after many years on Sky.
    As we prepare for the big kick-off, here's your complete guide to where you can watch your football this season and how much it's likely to cost you.



    THE PREMIER LEAGUE - WHO IS SHOWING WHAT?


    Coverage of the Barclays Premier League for the 2015-16 season will continue to be shared between Sky Sports and BT Sport.
    As they have since the league's inception in 1992, Sky retain the bulk of the live matches, screening 116 in total between next weekend and the climax in May.
    Sky's matches will be predominantly on Saturday evenings (5.30pm kick-off), Sundays (1.30pm and 4pm) and Monday nights (8pm).


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    BT Sport, meanwhile, will show 38 matches and their usual slot is Saturday lunchtimes (12.45pm).
    On 18 of the 38 rounds of matches, BT will enjoy the 'first pick', meaning they are likely to show the biggest game of the weekend.
    Both Sky and BT have announced which matches they'll be showing until the end of November.
    This is the third and final season of the £3.018bn live TV rights deal announced in June 2012.
    From next season, we enter the £5.136bn contract that sent shockwaves through the football world when announced back in February. This will mean an increase in live games, with Sky showing 126 and BT 42.
    To put all that in some kind of perspective, Sky paid a mere £304m for exclusive live rights to the first FIVE seasons of the Premier League between 1992 and 1997.


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    WHO WILL WE BE WATCHING?

    Sky's punditry team includes long-serving members Graeme Souness and Jamie Redknapp, Monday Night Football regulars Gary Neville and Jamie Carragher, and Thierry Henry, who came on board last season.
    BT's stable of pundits include Paul Scholes, Rio Ferdinand, Steve McManaman, Owen Hargreaves and David James, with another former player, Michael Owen, often a co-commentator.
    Their Champions League coverage will be fronted by Gary Lineker while Steven Gerrard is one of their pundits.


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    Presenter Ed Chamberlain (right) with Sky Sports pundits Souness (left) and Henry


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    BT Sport punditry trio Rio Ferdinand (left) Glenn Hoddle (centre) and Ian Wright cover the Community Shield


    WHAT ELSE HAVE THEY GOT?
    SKY SPORTS
    Football League - 112 live matches from the Championship, League One and League Two, plus the end-of-season play-offs
    Capital One Cup - exclusive live coverage from each round
    Johnstones Paint Trophy - exclusive coverage through to the final at Wembley
    Scottish football - 25 live games from north of the border from the top flight, plus games from the Scottish Championship (usually involving Rangers) and the Scottish Cup
    Dutch Eredivisie - live coverage of the top flight in Holland, often with three or four games a weekend
    Major League Soccer - live coverage from the USA each weekend, plus the play-offs and the MLS Cup
    Coppa Italia - live coverage of Italy's cup competition through to the final
    Euro 2016 Qualifiers - live Scotland, Wales, Northern Ireland and Republic of Ireland games plus live coverage of most other games through the red button


    BT SPORT
    FA Cup - live coverage of up to 24 matches through to the final at Wembley.
    UEFA Champions League - BT's first season of exclusive live coverage of Europe's top club competition, for which they paid £897m for a three-year deal.
    Every one of the 351 games in the competition will be shown live, with the main ones on the new BT Sport Europe channel and others via the red button.
    A free-to-air channel, BT Sport Showcase, will show at least 12 Champions League matches at no cost during the season. This is to meet UEFA demands to secure the biggest possible audiences for commercial exposure.
    UEFA Europa League - this is now also on BT, who will show every match live from the group stage through to the final. Again, there will be a minimum of 14 freeview games on BT Sport Showcase, most likely involving the British clubs in the competition.
    UEFA Super Cup - Barcelona vs Sevilla from Tbilisi is live on BT Sport Europe on Tuesday August 11 (kick-off 7.45pm).
    Scottish football - 30 live games a season from the Premiership and also coverage of the Championship.
    National League - 30 live games from the top tier of non-League football, formerly known as the Football Conference.
    Serie A - coverage from the Italian top flight, with two or three games each weekend, usually on Sunday afternoons and Monday night.
    Bundesliga - coverage from Germany, with two or three top-flight games each weekend, usually on Friday nights and Sunday afternoons. Also live coverage from the second division and the German Cup.
    Ligue 1 - coverage of the French top league plus the French Cup and French League Cup.
    Primeira Liga - up to four live matches a week from Portugal.
    Swiss Super League - a new addition for this season, live games from the top league in Switzerland.
    Brazilian football - live matches, usually on Sunday nights, from the Campeonato Brasileiro Serie A and the Campeonato Paulista.
    Australian football - every match live from the A-League and coverage of the Australian FFA Cup.
    England U21 - all home internationals screened live. Also occasional coverage of England youth games.
    Women's football - live coverage of the FA Women's Super League and the WSL Continental Cup.


    HANG ON... DONDE ESTA LA LIGA?
    As the new season approaches, coverage of Spanish football remains up in the air.
    Sky have held the rights to La Liga for two decades but dramatically withdrew from the latest round of bidding after the Spanish football league (LFP), encouraged by interest from BT, took the bidding process to a second round.
    Sky took exception to this and so we could well see Barcelona, Real Madrid and the rest over on BT Sport Europe from now on.



    PHEW! THAT'S A LOT OF FOOTBALL... HOW MUCH WILL ALL THIS SET ME BACK?
    The short answer is that all this televised football doesn't come cheap, as this article from last week's Money Mail explains in some detail.
    To summarise, if you want to watch everything in pixel-popping high definition, you'll need to buy Sky Sports in HD with a compulsory Sky Family pack (they don't allow you to buy just the sport package) and that is £66.75 per month or £801 a year.
    In addition, you'll need a BT Sport HD pack which is £23.99 per month or £287.88 a year. The total is £1,088.88 per calendar year, which would get you a Premier League season ticket.
    If you already have BT Broadband, this would cost £9 a month.
    Alternatively, you could get Sky's Now TV service, which is a small box that streams live TV via your internet connection and is also available on your iPad or smartphone.
    This runs at £31.99 per month or £383.88 a year. This plus the aforementioned BT package comes to £671.76 a year.
    Alternatively, set up residency at your local pub. Just don't think about your health...


    I DON'T WANT TO PAY THAT... WHAT CAN YOU GET FOR FREE THESE DAYS?
    It's pretty slim pickings for those with a Freeview box these days I'm afraid.
    With the migration of the Champions League to BT, the Tuesday night match on ITV is no more, although a live game can be found on BT Sport Showcase as previously mentioned. It should already be on your Freeview line-up.
    Otherwise, ITV will continue to show England internationals home and away, including their remaining Euro 2016 qualifiers.
    The BBC will continue to show games from the FA Cup from the first round through to the final and they usually have the plum tie from each stage.
    Viewers in Scotland continue to get coverage from the Scottish League, the Scottish Cup and the League Cup on BBC Scotland and BBC Alba.
    Don't worry though, the World Cup and European Championship have protected status and will be on BBC and ITV for the foreseeable.


    WHAT ABOUT HIGHLIGHTS?Match of the Day still takes pride of place in the BBC's Saturday and Sunday night schedule, bringing you the day's Premier League best bits.
    But you may have already seen the big 3pm match on Sky Sports, who show a full re-run at about 8pm, not to mention the games live earlier in the day on Sky and BT.
    Channel 5 have bought the rights to show Saturday night Football League highlights, replacing the BBC's post-pub Football League Show, and will ambitiously show it at 9pm.
    They are offering highlights from the Championship, League One and League Two in a 90-minute show that will end conveniently in time for Match of the Day.
    ITV will have late-evening highlights of England games, usually about an hour or so after the end of the game they've just shown.



    ANY NEW TECHNOLOGY?
    BT have fired another missile at Sky with the launch of 4K Ultra High Definition coverage of selected games, starting with Sunday's Community Shield at Wembley.
    Ultra HD has four times as many pixels as HD, meaning the picture quality should be a fair imitation of actually being there.
    BT will use cutting-edge Sony cameras to film the game from a wider angle, while a proposed 'Owl Cam' takes pictures from two of these 4k cameras and then splices them together so you can see the whole pitch at once.
    However, as with any new technology, it won't come cheap, with BT recommending a 55-inch 4k TV, which starts at £800. A set-top box to receive it would be £49 and the channel package is £15 a month.

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    AUGUST 3, 2015


    German pay-TV broadcaster Sky Deutschland has expanded its preparations for the new generation of high-definition television.


    The DFL-Supercup football game between Bundesliga champion Bayern München and DFB Cup winner VFL Wolfsburg on August 1, 2015 was transmitted live in Ultra HD. For the first time, High Dynamic Range (HDR) was used throughout the whole production chain – from the camera in the stadium across the satellite to the TV set.


    HDR is a technology extending the contrast range which enables a more precise exposure of dark image areas while at the same time increasing brightness. TV viewers thereby see more details, for example during football games with strong light and shade contrasts.


    “High Dynamic Range is an important extension of Ultra HD and enables a considerably improved contrast spectrum through which we can generate an even more significant difference to HD,” said Stefan Kunz, vice president business & distribution services at Sky Deutschland. “The results of the DFL-Supercup are very good. In further trials we will test more parameters and commence fine tuning.”


    The Ultra HD test transmission was carried out in collaboration with German football league Deutsche Fußball-Liga (DFL) and Sony which supported the production with professional production equipment. The HDR images were captured by a Sony HDC-4300 camera connected to a BVM-X300 HDR video monitor using different HDR formats. They were shown and analysed on different Sony Ultra HD TV sets for internal test purposes.


    Source : http://www.broadbandtvnews.com…hd-in-high-dynamic-range/

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    August 3, 2015


    BT Sport might be winning this particular 4K/Ultra-HD battle, but will it win the long-term war? The launch on August 2nd of BT’s 4K channel was no ‘blue moon’ but the opening salvo in what might be a long-drawn out scrap for viewer loyalty.


    Sky had its annual end-of-year results event on July 29th and CEO Jeremy Darroch made two separate sets of briefings to equity analysts. Ahead of the results media, pundits had been awash with rumours that Sky’s long-awaited 4K box would form some aspect of the results announcement. Or that a statement would emerge as to when Sky’s response to the threat from BT (and that of Amazon and Netflix) with their compelling 4K content would be made.


    BT held a VIP reception at Wembley on August 2nd to view the 4K images, and the overwhelming consensus was that they were not just good, but most impressive. BT declined to say how many viewers had signed up for the service, but at this stage in the long game that’s immaterial. But as one newspaper reported, the 4K event was a “haymaker” of a punch in BT’s favour.


    But back to the other UHD contender, Sky. As to the first of Darroch’s presentations (to London-based bankers) he said little about 4K other than to neatly side-step a question as to Sky’s plans for Ultra HD by suggesting- somewhat foolishly – that any content looked terrific when viewed on a giant screen from just a few feet in a store.


    A couple of hours later while talking to US-based analysts, he was – sort of – more specific, saying Sky would be “delivering brilliant innovation to make the viewing experience even better”. Now this is perhaps as vague a statement as it was possible to make, and he wasn’t pressed on whether this means better programming, or better images.


    Of course, as we have stated frequently, Sky will tell us their plans when they are good and ready to tell us and not a moment prior.


    But worryingly, at least for those loyal Sky subscribers keen to some 4K action, a Sky subscriber, on its own ‘Sky Community’ viewer forum on July 29th reported that he had been told officially that Sky “would not have a UHD box this year”.


    Darroch does have other things on his mind, not least laying off some 400 staff in and around its Isleworth HQ, and counting the £13 million worth of shares and options he cashed in last week.


    All of which suggests that viewers need to be patient a little while longer!


    Source : http://advanced-television.com…ore-obfuscation-from-sky/

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    The first 4K channel in the United Kingdom, BT Sport Ultra HD, is something we’ve been repeatedly covering here at 4K.com since it was first announced as an upcoming service and now we have the latest, unfortunate for some, news on this new and highly unique service.


    Unfortunately for owners of earlier model 4K TVs, the BT Sport Ultra HD live sportscast subscription service won’t work with 4K televisions which don’t support HDMI 2.0 with HDCP 2.2 content copy protection and 50Hz transmission support.


    Since these are all specs that only widely emerged in the 4K UHD TVs released during the later months of 2014, many of the U.K’s early adopters who had bought their own ultra HD sets in early 2014 and in 2013 won’t have access to the revolutionary new live sports broadcast content channel, which will be streamed over the internet to subscriber’s homes as of its public opening on August the 2nd.


    In other words, the nature of the changing technology landscape around 4K TV is firmly punishing those who took the earliest bet in favor of 4K TV.


    The BT Sport Ultra HD channel is already available for pre-order and will deliver its first ever public broadcast to subscribers on August 2nd. This will be the opening of the FA Community Shield match between Arsenal and Chelsea football (soccer in the U.S), which is a traditional first match for the new football season in the U.K.


    Even those who do have compatible 4K TVs will still have to invest a little extra grease in gaining access to BT’s new live 4K sports streaming service. The subscription itself costs 15 GBP per month under the formal title of the “Entertainment Ultra HD” package and includes a number of other premium content channels in addition to the live 4K sports content that’s on the way.


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    On top of this, subscribers who want access have to also subscribe to BT’s Infinity Broadband Internet service, which costs an additional 9.75 GBP per month and delivers the 38Mbps of bandwidth connectivity necessary for the live 4K streams to flow smoothly to a compatible 4K TV. For many homes in the United Kingdom, the Infinity internet service isn’t available to localized infrastructure limitations on ultra-high speed broadband internet access.


    Additionally, those who have the right kind of 4K TV with the right specs and can access the BIT internet velocity that’s needed for the new 4K content service will also have to get their hands on the company’s new BT Ultra HD set-top box, a YouView device manufactured by a company called Humax.


    The small print on BT’s own website reflects these conditions and explains how the new live sports 4K service “requires the TV to support HDCP 2.2 content protection and a picture resolution of 2160p50 (50Hz) over the same HDMI port”. The HDMI port obviously has to be of the 2.00 type found mostly in newer 4K TVs.


    Fortunately, the majority of 4K TVs on the market and in consumer hands right now are newer models from late 2014 and early to mid-2015. All of these televisions, from brands such as LG, Samsung, Sony, Panasonic, Sharp, Philips and others are fully compatible with the above technical conditions.

    There's a simple rule of thumb for companies that market electronics: When it comes to specs, a higher number is usually preferred. Sure, there are exceptions -- you want things like response time, load times and mobile device weight to be low -- but generally, more equals better. It comes down to the "speeds and feeds" aspect that still dominates a lot of tech shopping: When you line up a bunch of similar TVs, phones, laptops or tablets, the ones with the higher numbers get the edge. Think about battery life, display resolution, screen size, processor speed, memory and storage capacity, to name just a few.


    Of course, the quoted number is often only half the story. Consider the megapixel myth of digital cameras: a 15-megapixel camera isn't necessarily going to yield a "better" picture than an 8-megapixel shooter. Nor is a 4K Ultra HD TV -- with a resolution of 3,840x2,160 pixels -- going to necessarily outshine a "standard" HDTV with 1,920x1,080 pixels, or just one-fourth of the 4K screen's resolution. Plenty of other factors, including color accuracy and contrast ratio (not to mention the quality of the video source) will affect the picture quality to a normal eye.


    Then there's refresh rate. This spec refers to the number of times per second that a video screen is updated, with a higher number yielding a smoother, more natural-looking motion (up to a point). The baseline for this number was set back in the last century, with movie projectors hitting 24 frames per second (expressed as a frequency in Hertz, or Hz), and old standard-definition TVs set at 60Hz in the US or 50Hz in many other countries.


    In the HD era, though, TV manufacturers started an arms race of sorts, ramping up refresh rates in increasing multiples to 120Hz, and even eventually 240Hz. There was even a time where some plasma TVs were claiming, somewhat dubiously, a 600Hz refresh rate of sorts: the "more equals better" situation again.


    So, now that we're in the post-HD 4K TV era, we're clearly up to 480Hz, right? Or possibly 960Hz?


    Not exactly. The fact is that nearly all of these new 4K TVs -- which now make up the increasing majority of all TVs priced over $1,000 in the US -- have, at best, a 120Hz refresh rate. Actually, many of the least expensive 4K sets are 60Hz, and none that we know about are 240Hz.


    You may be asking yourself, what's with all the 4K TV marketing that claims numbers of 240 or even higher? Well, they're fluff. Very carefully worded marketing fluff, in most cases.


    But does that mean those of you trading in a recent 240Hz 1080p TV for a bigger, sub-240Hz 4K Ultra HD TV are actually downgrading your picture quality?


    The answer, as always, isn't so cut and dry.


    What's refresh rate?


    To recap: Refresh rate is how often a TV changes the image (also known as a "frame") on screen. With traditional televisions, this was 60 times each second, or "60Hz."


    Some modern TVs can refresh at much higher rates, most commonly 120Hz (120 frames per second) and 240Hz. We've covered this before, with 1080p HDTVs, but it's the same idea.


    But is this just yet another "more is better!" marketing ploy? Do the bigger numbers matter? Actually, they can: Higher refresh rates on LCDs and OLED TVs -- which, post-plasma, are pretty much the only two mainstream TV technologies left -- can help decrease motion blur.


    What's motion blur? Glad you asked...


    Your brain on blur


    All LCD and current OLED models suffer from "motion blur." This is where anything in motion, either an object moving on screen or the entire image (like when the camera pans), blurs and looks softer than if it was stationary.


    Interestingly, this blur is largely created by your brain. Basically, your brain notices the motion, and makes assumptions as to where that object (or overall image) is going to be in the next fraction of a second. The problem with LCD and current OLED TVs is that they hold that image there for the full 60th of a second, so your brain actually smears the motion, thinking it should be moving, when in fact it's just a series of still images.


    It's actually quite fascinating, but the details are beyond the scope of this article. I recommend checking out BlurBuster's great article for more info.


    The motion blur we're talking about here is caused by the television, on top of whatever blur the camera itself creates. Some people aren't bothered by motion blur. Some don't even notice it. Others, like me, do notice it and are bothered by it.


    Refresh rate and beyond


    Refresh rate itself is really only part of the solution. Just doubling (or quadrupling) the same frames doesn't actually do much for reducing motion blur. Something else is needed.


    There are two main methods. The first is frame interpolation, where the TV itself creates brand new frames that are sort of hybrids of the frame that came before, and the one that comes after. This can fool your brain enough that it doesn't blur the image. Depending how aggressive the interpolation is, however, it can lead to the soap opera effect, which makes movies look like ultra-smooth reality TV. Some viewers like the effect, but it's generally hated by film buffs and others who pay close attention to image quality.


    The other is black frame insertion (BFI), or a scanning backlight. This is where all or part of the backlight of the TV turns off (goes black). This effectively means the image doesn't "hold" in place, so your brain doesn't blur it. Do it poorly, however, and many people will see the image flicker. The light output of the TV also drops as it's basically not outputting any light much of the time.


    Why 240Hz matters


    At a minimum, to do motion interpolation or black frame insertion, you need 120Hz. Trying to do this with a 60Hz TV means with a lot of content, the TV would be throwing away information. Also, the backlight flashing would be visible to most people.


    240Hz is better, as you can flash the backlight much faster (so it's less noticeable), and you can have more finesse with how you create the new frames (given that you have three new frames to create, as opposed to just one with 120Hz).


    But at the very least, you need 120Hz to really combat motion blur, which is good, because right now, that's the most you can get with a 4K TV. All 4K TVs on the market today (as of this writing), are 60Hz or 120Hz.


    If that's surprising to you, and it likely is if you've shopped for a 4K TV, it's because many manufacturers are being, shall we say, "creative" with their refresh rate claims (well, still being creative, this was and is common with 1080p TVs too).



    Sarah Tew / CNET
    Ah, marketing


    Misleading specifications are a fact of life in the tech world, but that doesn't make them OK. Refresh rate is a real, measurable thing. If a company says "120Hz" refresh, there's an expectation in my (and I assume, your) mind that the TV shows 120 different images per second. Or at least, is capable of that. If it doesn't, if it's a 60Hz TV with black frame insertion for example, it may have similar motion resolution to some true 120Hz TVs, but it's not actually 120Hz.


    So many (most?) of the refresh claims you see on 4K TVs are likely somewhat misleading. None are more than 120Hz, despite what their numbers claim, and many are just 60Hz.


    Here's the best way to read refresh specs: If it uses any sort of modifier ("TruMotion 240Hz"), or doesn't explicitly say it's the panel refresh, it's probably not. The few companies that disclose the actual panel refresh information on their websites are quite clear what the panel is doing, and what the backlight and processing assistance does.


    6fb8c.jpg


    LG: TruMotion
    LG, like several other brands, uses "Hz" but qualifies it with "TruMotion," which it describes as: "TruMotion reflects the benefits of our detailed backlight scanning and enhanced frame rates to reduce blur and yields (sic) crisper details."


    So it's all the methods above. It doesn't list just the panel framerate in Hertz anywhere, unfortunately.


    So we asked. According to LG, the UF7600 is natively 60Hz, while the UF7700, UF8500, UF9500 are all 120Hz.


    Panasonic: Image Motion or Backlight Scanning
    Most of Panasonic's models feature some kind of BFI or scanning, but its top 4K models are listed in the specs as actually having 240Hz refresh. Elsewhere, however, it describes it thus: "Image Motion Technology uses high quality frame creation and advanced back light scanning to ensure fast action scenes are always clear."


    Panasonic has updated its website to list accurate refresh rates, and confirmed to us the CX600 series has a 60Hz refresh, while the CX650, CX800, CX850 series have 120Hz.


    Sharp: AquoMotion
    Sharp gets multiple bonus points here for listing the "AquoMotion" rate, and the panel's native refresh and clearly describes how it works: "AquoMotion, Sharp's backlight scanning technology, multiplies the effective refresh rate to hit you with all the power that fast-moving sports and movies can deliver."


    Most of its 4K models are 120Hz natively, whereas some of the smaller and less expensive models are 60Hz.


    Samsung: Motion Rate
    Samsung is more upfront than it used to be about this. Its 4K TVs feature "Motion Rate 240" (notice the lack of "Hz") which it describes thus: "Enjoy our best moving picture resolution at Motion Rate 240 with exceptional refresh rate, processing speed and backlight technology." Here's a diagram:


    samsung-clear-motion-rate.jpg
    Samsung
    As it explains, "Clear Motion Rate is a motion clarity standard put forth by Samsung Televisions in order to replace what is commonly known as the 'refresh rate' associated with many televisions." It includes motion processing and backlight scanning into one number that might allow you to compare Samsung models with each other, but is meaningless compared to other TVs.


    As far as Motion Rate 240 goes with its current 4K TVs, it's a 120Hz refresh rate panel with some sort of backlight scanning or BFI.


    Sony: MotionFlow
    According to Sony, all its 4K TVs are natively 120Hz. Its specification sheets mention a high number and "MotionFlow XR" which uses a combination of the techniques above.


    Vizio: Clear Action and Effective Refresh Rate
    Vizio seems like it's listing the actual refresh rate of its TVs, but at least it labels it as an "Effective" refresh rate. Meaning, it's like that rate, but not. We asked Vizio for an explanation and learned that most of its 2015 E series TVs have 60Hz refresh rate panels, while in the 2015 M series only the 60-inch and larger TVs have 120Hz panels (the smaller ones are 60Hz).


    Bottom line (should you care?)


    There are two things at play here. The first is simple, and one we've said many times before: don't trust marketing. At least, don't trust it at face value. Marketing is designed to sell you a product, not give you information about a product. That's secondary.


    The second is being able to reduce motion blur. When 120Hz 1080p TVs first hit the market, they offered a noticeable improvement in motion resolution. The technology has only gotten better. When 240Hz TVs hit the market, I and many other reviewers felt they offered a slight but not substantial improvement over 120Hz models. So is it a big deal that there are no true 240Hz LCD TVs? No. Would a 240Hz 4K TV look more detailed than a 120Hz model? Maybe. It depends how it did the other processing and backlight manipulation. Will we see 240Hz 4K models? Probably.


    So if you're sensitive to motion blur, it's worth checking for a 120Hz model. It would be a shame to let all that extra resolution go to waste. It's also worth checking reviews for subjective takes on how the TV handles motion -- that's more useful than any manufacturer-supplied spec.


    Source : http://www.cnet.com/news/ultra-hd-4k-tv-refresh-rates/

    Copyright holders continue to increase the number of copyright takedown requests they send to Google. As a result the company is currently asked to remove a record breaking 18 links to "pirate" pages from its search results every second, a number that is still increasing at a rapid pace.


    4caa52a4dbf5a5ac.jpg


    In the hope of steering prospective customers away from pirate sites, copyright holders are overloading Google with DMCA takedown notices.


    These requests have increased dramatically over the years. In 2008, the search engine received only a few dozen takedown notices during the entire year, but the same number is now reached in a matter of seconds.


    At TF we processed the number of URLs submitted by copyright holders over the past month, which were roughly 47 million in total. Or put differently, Google is now being asked to remove well over 18 links to alleged copyright infringing material every second.


    Just last week Google received a record breaking 12.5 million reported links in seven days, showing that the surge in notices is still ongoing.


    The BPI and RIAA are among the most active senders of DMCA takedown requests. Together, the music groups have sent notices for 5.5 million URLs over the past month, which represents 12% of all requests.


    Both groups are topped by takedown agencies Rivendell and Degban though, who are good for reporting 7.7 and 6.3 million URLs respectively.


    8d1f30d8.png


    Over the past month more than 2,600 copyright holders submitted takedown notices, targeting 77,514 separate domain names. The relatively unknown MP3 search engine myfreemp3.re tops the list with nearly a million removed pages, and several Pirate Bay related domains are also among the top targets.


    The vast majority of the reported links have been removed, but the takedown notices also include duplicate or non-infringing URLs for which Google takes no action.


    Despite the frequent use of the takedown process many copyright holders are not happy with Google’s take on the piracy problem. Groups such as the RIAA and MPAA have repeatedly stressed that the company should do more to prevent pirated content from showing up in the top search results.


    Faced with this harsh criticism, Google has gradually altered its search algorithms. October last year the company implemented the most significant change yet, aimed at downranking sites that often link to copyright-infringing material.


    Still, the major copyright holders remain far from pleased. They’ve urged Google to completely de-list infringing domains and boost the rankings of legitimate sites. Until that happens, it’s unlikely that we’ll see the number of reported links going down.


    TF reached out to Google for a comment on the ever-increasing volume of takedown requests and how the company is able to cope with the surge, but at the time of publication we haven’t heard back.

    A fork of the popular Popcorn Time application is vulnerable to hacking attacks, a researcher says. Antonios Chariton, aka DaKnOb, says that a man-in-the-middle attacker can gain complete control of a target machine. Fortunately he also has some advice for the software's developers to help put matters right.


    08d311d8030abec5b8ac6a6c.png


    Almost 18 months since it burst onto the scene in 2014 and Popcorn Time is still one of the most popular file-sharing applications on the market.


    Millions of people use multiple variants of the Netflix-style tool everyday, with ease of use and wide content availability proving a hit with users old and new.


    Popcorn Time’s success has also made it a target for anti-piracy companies desperate to shut it down, but today the software finds itself under attack of a different kind.


    Antonios Chariton, aka ‘DaKnOb’, describes himself as a Security Engineer & Researcher. Currently in Greece studying for his B.Sc. in Computer Science, Chariton informs TorrentFreak that he’s discovered some serious security vulnerabilities in at least one fork of Popcorn Time.


    “There are two reasons that made me look into Popcorn Time. First of all, I know many people who have installed this application on their personal computers and use it, and second of all, by pure accident: I was setting up my computer firewall when I noticed the network traffic initiated by Popcorn Time,” Chariton says.


    The researcher says that the problems begin with “a really smart” technique that Popcorn Time uses to bypass ISP-level blocking in the UK. By utilizing Cloudflare infrastructure for part of its setup, it’s difficult to block Popcorn Time by DNS without banning the Cloudflare website, Chariton notes.


    But cleverness aside, this is where the problems begin.


    “First of all, the request to Cloudflare is initiated over plain HTTP. That means both the request and the response can be changed by someone with a Man In The Middle position (Local Attacker, Network Administrator, ISP, Government, etc.),” Chariton explains.


    “The second mistake is that there is no input sanitization whatsoever. That means, there are no checks in place to ensure the validity of the data received. The third mistake is that they make the previous two mistakes in a NodeJS application.”


    As shown in the image below, Chariton says he was able to perform a “content spoofing” attack, in which he gave the movie Hot Pursuit the title of “Hello World” instead.


    91fd53a49da2102ff4634.png


    The researcher says that while he could’ve changed any other information in the Popcorm Time application, that wouldn’t be “exactly much fun”. So, to get pulses racing, he launched an XSS attack instead.


    As shown in the image below, Cross-Site Scripting (XSS) attacks allow for potentially malicious scripts to be injected into other web applications.


    b879745db58.png


    “We have injected malicious JavaScript and the client application executed the code. Using this attack we can show fake messages or even do something smarter. Since the application is written in NodeJS, if you find an XSS vulnerability, you are able to control the entire application,” Chariton explains.


    “This essentially is Remote Code Execution on the computer that runs Popcorn Time. You can do anything the computer user could do.”


    That’s obviously a pretty serious issue but Chariton does have some advice for the developers.


    “HTTP is insecure. There’s nothing you can do to change this. Please, use HTTPS everywhere, especially in applications that don’t run inside a web browser. Second, sanitize your input. Even if you receive something over TLS v1.2 using a Client Certificate, it still isn’t secure! Always perform client-side checks of the server response,” he notes.


    “Last but not least, just because something is Open Source doesn’t mean it’s audited and secure. Discovering and exploiting this vulnerability was literally one hour of work, including the time to write all the JavaScript payloads and come up with cool stuff to do,” Chariton concludes.


    Making the situation more complex is the number of Popcorn Time forks in circulation. Chariton told us that he carried out his tests on the variant available at PopcornTime.io but it’s certainly possible that the same issues exist elsewhere on lesser-used forks.


    That being said, the developers behind the variant available at Popcorn-Time.se inform TorrentFreak that their version isn’t vulnerable to these exploits.


    “These security issues don’t refer to Popcorn-time.se since we built Popcorn Time from scratch in C++,” the devs explain.


    “We don’t use Node Webkit which is known for having security issues, but chose the longer route of building our platform on our own from the ground up to avoid just these kind of issues.”


    Chariton has raised the issue here and it’s currently under discussion.


    Update: Popcorntime.io have now responded.


    “This attack requires that the attacker is either inside the local network, inside the host machine, or has poisoned the DNS servers,” the team explain.


    “In any case, there are far more valuable attacks than simply hitting Popcorn Time. Especially because it does not run with elevated privileges and won’t let the attacker install new programs for example.”

    392577ffe.jpg


    By this point, 4K video support has been around for some time, even on computers. YouTube added 4K video support to its famous online video website in July 2010. Few people know the company added 8K video resolution support earlier this year, and now it seems the first 8K video has appeared. Good luck trying to play it in its native resolution on something, though. (We embedded it here in case you’re feeling adventurous.)



    The video, called Ghost Towns, produced by YouTube member Neumannfilms, shows some town units (homes, wagons, etc.) that have been abandoned. While these places and items remain, the people who once inhabited them are gone. Yes, a deserted town is indeed a ghost town.


    Neumannfilms shot the Ghost Towns clip using Red EPIC Dragon 6K cameras. The company then “stitched together” some clips using Adobe’s After Effects suite to bump up the viewing resolution. Neumannfilms says in the video’s description that “some shots [were] simply scaled up by 125% from 6.1K to meet the 7.6K standard.”


    Let’s step back a moment and look at 4K again. 4K resolution is a cinematic camera standard dictated by the Digital Cinema Initiatives (or DCI). The original Red One was one of the first cinematic cameras to utilize 4K video recording, allowing users to shoot video resolution in a 2-4.5K range. Conversely, 8K, or Full Ultra HD (FUHD) resolution, comes out to a minimum of 7680 x 4320 (4320p, 33.2 megapixels), four times that of Full HD resolution (1920 x 1080), and can go as high as 8192 x 8192 (67 megapixels).


    b1de97.png


    Currently, there are only a handful of cinematic cameras that have full 8K video support, such as the Astro Design AH-4800, a camera announced at NAB2013 in April 2013, the RED 8K Weapon Vista Vision, a RAW model announced in April 2015 that features a 35MP sensor, the Ikegami SHK-810, a camera announced in April 2015 (NAB) that features a 35MP sensor, and the Hitachi SK-UHD8060, also revealed this year.


    If the Ghost Towns video and its 8K video resolution mean anything, it may be that 1080p, and even 4K video recording and playback, could soon be “ghost town” standards of their own. One day, some tech enthusiast may submit his own YouTube video: walking down an aisle in a store full of 8MP and 16MP cameras that equal the price of a DVD rental. Ghost town standards, like ghost towns, are the price we all pay for chasing the next big thing.


    Stephen Powelson recently flew his Phantom 3 drone over Tesla's battery factory in Fremont, California and recorded the flight. Almost as soon as he posted the video to a Tesla Motors Club forum, other commenters began warning Powelson of the legal trouble he might be in.


    Powelson quickly assured concerned posters that Tesla employees had no problem with the video. In fact, he'd worked at the company for almost five years, until March of this year.


    The video gives the viewer a sense of how big the factory is. At 5.3 million sq. feet, the Fremont facility is dwarfed by the proposed gigafactory that Tesla is building in Nevada, which is estimated to be about 10 million sq. feet when completed — one of the biggest in the world.


    Though the video is neat — and high-quality for drone footage — a viewer might notice something missing: solar panels. Musk's SolarCity makes them; he might consider making himself one of his customers. Still, there is a nice Easter egg for Tesla fans: a glimpse of what could be three Model X SUVs on the left at the 1:44 mark.

    fcb15fcf961598c3c8f615.jpg


    BT says its seeing few customers opting out of the new £5 charge for its repackaged sports channels.


    BT Sport Europe launches on Saturday as the home for the telco’s Champions League coverage. It’s also the day that the new 4K Sports channel will launch.


    BT’s head of consumer John Petter told an analyst call that it was early days, but those receiving the sports package by satellite appeared least likely to churn.


    Announcing its Q1 results, BT said its TV service had seen its best performance in nearly two years. 60,000 new customers were added to BT TV, taking the customer base to 1.2 million.


    Average daily viewing figures for BT Sport are also up 51%


    149,000 new customers were added to the Openreach network during the quarter.


    85,000 (57%) of new customers chose one of BT’s retail divisions.


    That brings the total Openreach broadband base to more than 19.4m, and the total BT Retail broadband base was just short of 7.8m subscribers at the end of the quarter.


    Source : http://www.broadbandtvnews.com…-sport-holds-subscribers/