Posts by Prophet

    Earlier this month several music industry organizations in the UK won a judicial review which renders the Government's decision to allow copying for personal use unlawful. Following this unexpected decision are UK citizens now breaking the law if they copy their own CDs? How will the fate of the legislation be determined?


    The recent BASCA case has raised some interesting questions about the legal status of the private copying exception to UK copyright law introduced in 2014.


    Broadly speaking, the new law is found in s28B of the Copyright, Design and Patents Act 1988, and introduced a limited defense to a copyright infringement claim where an individual makes a copy of a work he legitimately already owns, for example for the purpose of format shifting. Ripping a music file from a CD to .MP3 format for playing on a smartphone or tablet being one typical example.


    This exception does not allow copying of copyright protected material for family and friends, neither does it legitimize downloading files from the Internet, as in most cases the downloader will not already own a legitimate licensed copy.


    So really, you might well think, “that is a pretty limited situation, why all the fuss?”


    Why indeed.


    The issue turns around the meaning of “fair compensation”. BASCA and the other claimants claim they are due some fair compensation for this as required by EU Directive 2001/29 which UK law has to comply with. The UK Government contended, in this particular instance, that no compensation is fair compensation.


    The agenda for the claimant is that if they succeed, a blank media levy on storage would likely be introduced to provide their fair compensation, which already exists in many other European Countries. This will of course increase costs for consumers, and profits for copyright owners.


    It is therefore a quite high stakes game, and means that immediate settlement in this case (the government lost a judicial review earlier this month) is probably quite unlikely. The key issues are whether the UK’s new private copying exception was itself legal under EU law and secondly, whether the process it was adopted under was procedurally legal.


    The case can hardly be touted as a victory for the Claimants – BASCA et al. Of several grounds put forward by the claimants regarding the compliance with EU law, the judge rejected each in turn, not one being upheld. The only ground of the claimant’s case which was upheld, was that the Secretary of State for Business, Innovation and Skills, in introducing section 28B had not taken all relevant evidence and information into account before introducing this section.


    So what happens now?


    For the time being at least s28B remains with its limited format shifting defense. We are, for the moment, still free to format shift.


    The Secretary of State could merely carry out the review in the proper manner identified by the court, gather sufficient evidence supporting s28B and that would satisfy the procedural requirement.


    Either party could also appeal, the Claimant against the judge’s ruling against them on several points of law, or the defendant against the judge’s finding against the Secretary of State that insufficient evidence had been gathered or taken into account.


    If this were to occur, it would be to the Court of Appeal, and possibly from there to the Supreme Court. For such appeals timescales of years rather than months are usually appropriate.


    The other option which exists, which is not an appeal as such, is the court could refer the matter to the Court of Justice of the European Union (CJEU) for a ruling on a point of Law. As the UK law in dispute is derived from EU Law, it is the CJEU who has the ultimate say on what the EU law means in those circumstances.


    Here the UK court would ask a specific set of questions as to what the correct interpretation of the law is, but the CJEU does not strictly speaking decide for the claimant or defendant, though in effect the ruling will usually strongly be favorable to one of the parties. This process will often take at least three or more years.


    What might appeal courts or the CJEU rule ? Impossible to say with any certainty, but the CJEU has said in the recent Copydan case that in circumstances where there is minimal prejudice to the copyright owner, no compensation can indeed be fair compensation.


    In this instance, as the user has already paid a copyright license fee when buying the original CD from which files are ripped, do the copyright owners suffer anything more than minor prejudice? I would suggest not, and it is apparent that this is the opinion of the judge Mr Justice Green, in BASCA. The claimants in BASCA of course contend differently, but well they would wouldn’t they?


    A final parting point. If it were the case that through a CJEU ruling against format shifting a blank media levy was introduced (and this can be compelled by the EU, although this would be a long several year process of CJEU Ruling, UK failure to comply, negotiations, warnings etc before any action was taken by the Commission) the UK Government could quite legitimately contend that since many other EU countries which allow private copying with such levies also allow private copies for family members, the UK should now do the same.


    This would widen the ambit of the current s28B a significant amount, and would to some extent offset increased costs to consumers of a blank media levy.

    A few weeks after his release from Swedish prison, Pirate Bay co-founder Fredrik Neij returned to his home in Laos. Today he shares some thoughts on his time in prison as well as the future that lies ahead. Looking back, Neij concludes that considering the circumstances TPB was well worth doing time for.


    Fredrik Neij, one of The Pirate Bay’s co-founders, was released early last month after serving a 10-month prison sentence for his involvement with the site.


    A few days ago Fredrik arrived back home in Laos, where he’s enjoying his family and an unlimited stock of beer to get his liver back on track.


    TF had the chance to catch up with the Swede to see how prison life treated him and the answers we received may surprise some. While it’s never fun to be locked up, Fredrik says it was worth doing time for The Pirate Bay.


    “Things were not too bad in prison,” Fredrik tells TF. “It was well worth doing prison time for The Pirate Bay, when you consider how much the site means to people,” Fredrik says.


    The prisons in Sweden are nothing like those seen in Hollywood blockbusters. He had plenty of space and privacy and no bars on the door.


    “Like most people I only knew about prisons from American movies. Now that I have some firsthand experience I am happy to say it’s quite different. Unlike the barred cages for two persons in the movies, here I have my own private room that’s 10 square meters, with a real door and no bars on the window.”


    Fredrik compares his cell to a cabin on a cruise ship, but one with a shitty view. Instead of seeing beautiful coastlines and picturesque bays, he was looking at a prison wall with barbed wire on top, and agricultural fields in the distance.


    The cell itself had a private toilet and shower as well as some space for personal items. There were two bulletin boards as well, one with photos of his kids and family and another one for all the fan mail he received.


    Although the prison management denied him access to his classic 8-bit Nintendo console, there was plenty of entertainment around. The room came equipped with a Samsung smart TV and Fredrik was also allowed to have newer game consoles.


    As a Sci-Fi addict, Fredrik was also happy that “some people” managed to smuggle digital content inside.


    “I watched a lot of TV-series and movies on smuggled in USB sticks and MicroSD cards, which is a nice way to kill some time, watching Archer, Futurama, Firefly and other Sci-Fi,” Fredrik says.


    On the music front Pirate Bay’s co-founder was thrown back two decades, spinning CDs in an ancient Discman. Music he actually had to pay for.


    “Listening to music on a Discman gave me flashbacks to how life was before MP3s, with short battery-life and having to change CD to listen to different artists. Also it was probably the first legal music I bought this millennium.”


    The lockup hours were between 7am and 7pm and inmates were allowed to put out their own lights, so games could be played all night. During weekdays Fredrik had to work for three hours as well, putting pieces of wood into a laser etching machine.


    The best times of the week were without a doubt the visiting hours, especially when they overlapped with work. Talking to friends and family was a welcome distraction, either in person or on the phone, which Fredrik could have in his room a few times per week.


    There were also a lot of people writing in. Not just with words of support, but also to keep him updated on news in the real world, including TF articles.


    “To keep up to date with the outside world, friends and family sent me newspapers, magazines and printouts of online media such as TorrentFreak! I also spent a lot of time reading all news-clippings, books and tech- science- and computer magazines I received from fans.”


    Fredrik was locked up in the medium security prison in Skänninge where he was the only convict doing time for a “virtual” crime.


    “Most other guys were in for drug-related offenses, robberies, manslaughter, aggravated assault. No-one had ever heard of someone being placed at that prison for such a low severity, nonviolent, white-collar crime as ‘assisted copyright infringement,’ but I guess the MAFIAA get what they pay for,” he says.


    Surprisingly enough, Fredrik could cope relatively well without 24/7 access to a keyboard and the Internet.


    “I didn’t miss computers and the Internet as much as I would have expected. I mostly just missed having instant access to information like I am used to. Inside I used TEXT-TV and newscasts instead of web-sites,


    “You only notice how dependent we are on the Internet when are forced off it and have to do things like it was the early 90s again,” Fredrik adds.


    Looking ahead Fredrik is hoping to catch up life where he left off.


    “It’s great to be back home with the kids. Family aside I was mostly looking forward to catching up on Doctor Who and Archer. And to put an end to my liver’s well deserved vacation with a large beer!”

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    UK Chancellor of the Exchequer George Osborne is planning to announce in Wednesday’s Budget that the BBC will have to meet the cost of free TV licences for over-75s. The move is reported to cost the BBC £650 million, or one-fifth of its budget. Free TV licences for over-75s are currently paid for by the government.


    He told the BBC’s Andrew Marr Show: “The BBC is also a publicly funded institution and so it does need to make savings and contribute to what we need to do as a country to get our house in order.”


    It is also understood the BBC and government are in talks over charging for use of the iPlayer which could recoup some of the cost of funding free licences for over-75s. It would involve changing the law so that people who watch TV via the iPlayer and other online catch-up services would have to have a TV licence. Currently the licence fee does not cover these digital services. Such a move could raise at least £150 million.


    Sir Christopher Bland, the corporation’s former chairman, described the Chacellor’s plan as “the worst form of dodgy Whitehall accounting. It is transferring social policy on to the licence fee.”

    A range of domains seized from 'pirate' sites by the UK's Police Intellectual Property Crime Unit have been released back into the wild. After displaying a banner declaring them criminal operations and racking up millions of hits, many domains are up for grabs once more while others display ads.


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    For the past several years the Police Intellectual Property Crime Unit (PIPCU) has been at the forefront of Internet-focused anti-piracy activity in the UK. The government-funded unit has been responsible for several high-profile operations and has been praised by a broad range of entertainment industry companies.


    After carrying out raids against the operators of dozens of sites, PIPCU likes to take control of their domains. They do this for two key reasons – one, so that the sites can no longer operate as they did before and two, so they can be used to ‘educate’ former users of the downed sites.


    That ‘education’ takes place when visitors to the now-seized ‘pirate’ domains are confronted not with a torrent, proxy, streaming or links site, but a banner published by PIPCU themselves. It’s aim is to send a message that sites offering copyrighted content will be dealt with under the law and to suggest that their visitors have been noted.


    Earlier comments by PIPCU suggest that its banner has been seen millions of times by people who tried to access a ‘pirate’ site but subsequently discovered that it no longer exists. Last month in an announcement on Twitter, the unit revealed that since Jul 2015 it has diverted more than 11m ‘pirate’ site visits.


    While the hits continue to mount for many domains PIPCU has seized (or gained control over by forcing site operators or registrars into compliance), it’s now likely that the group’s educational efforts will reach a smaller audience. Tests carried out by TorrentFreak reveal that PIPCU has somehow lost influence over several previously controlled domains.


    Instead of the now-familiar PIPCU ‘busted’ banner, visitors to a range of defunct sites are now greeted with expired, advert-laden or ‘for sale’ domains.


    MP3lemon.org, for example, currently displays ads/affiliate links. The same goes for Boxingguru.tv, a domain that was linked to a high-profile PIPCU raid in 2014. Former proxies Katunblock.com and Fenopyreverse.info, plus former streaming links site Potlocker.re complete the batch.


    Other domains don’t carry ads but are instead listed for sale. They include former anti-censorship tool site Torrenticity.com, proxy index PirateReverse.info and H33T proxy h33tunblock.info.


    The fate of the final set of domains is much less glamorous. Movie2KProxy.com, Movie4KProxy.com, EZTVProxy.net, Metricity.org, YIFYProxy.net and TorrentProxies.com all appear to have simply expired.


    Whether these domains will be snapped up at the first opportunity or left to die will largely hinge on whether people believe they can make a profit from them. Some have already changed hands and are now being touted for a couple of thousand dollars each but others are lying in limbo.


    In any event, none of these domains seem destined to display PIPCU’s banner in the future. Whether or not the unit cares right now is up for debate, but if any of the domains spring back into life with a ‘pirate’ mission, that could soon change.


    Unlike Megaupload’s old domains they don’t appear linked to obvious scams, so that’s probably the main thing.

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    TV3 Group, Ireland’s leading commercial television broadcaster, has confirmed that its shareholder Doughty Hanson has agreed terms for its sale to UPC, a wholly-owned subsidiary of Liberty Global plc and Ireland’s leading connected entertainment provider that offers over one million television, broadband and phone subscriptions to nearly 512,000 customers.


    Liberty Global is the largest international cable company with a market cap of over $42 billion and operations in 14 countries.
    TV3 operates two free-to-air channels, the flagship TV3 and the youth-oriented 3e. In addition, it has TV3+1 on UPC and SKY, and 3PLAYER the most widely distributed Video-on-Demand platform in the country. TV3 is the number one channel in Ireland after public broadcaster RTÉ1, and TV3 Group has an audience share of 12%. In 2014, the Group achieved its best set of operating results since 2008.


    This year, TV3 launched a new schedule which marked the acceleration of originated programming replacing foreign acquisitions. In January, it successfully launched a new soap Red Rock which has been viewed by 2.3m people. In May, six of TV3’s top ten programmes were home-produced. TV3 broadcasts some of Ireland’s most established programmes including Ireland AM, News at 5.30, Great Irish Bake-Off, the top entertainment brand Xposé, and the leading daily current affairs show Tonight with Vincent Browne. The focus on originated content follows the opening in 2013 of the TV3 HD studio, Ireland’s largest TV studio and one of the most technologically advanced in the country.


    This Autumn, TV3 has the exclusive rights to the Rugby World Cup 2015. TV3 also has a host of exclusive premium acquisitions including UEFA Champions’ League, Big Brother and X-Factor.


    David McRedmond, CEO of TV3, said: “TV3 has secured an excellent long-term owner, which will help us to take advantage of the opportunities we see in Ireland and internationally. TV3’s employees have transformed the company from an old-model channel reliant on foreign programming into a contemporary media company originating its own content distributed across multiple platforms. This deal is a great endorsement of TV3’s strategy and team by a leading global company, and is also an expression of confidence in the continuing turnaround in the Irish economy. I want to acknowledge the support and leadership from our current investors Doughty Hanson which guided TV3 through the most difficult recession.”


    Magnus Ternsjö, CEO of UPC Ireland said: “We’re pleased to welcome TV3 to the Liberty Global family. The investment we are making today secures the long-term future of TV3 Group. With its wide range of home-grown programming, TV3 holds a unique place in the heart of Irish viewers. This is a terrific addition to the TV service we offer – which is already the best in Ireland.”
    Christopher Fielding, a principal at Doughty Hanson, said: “We are pleased that our investment in TV3 has come to this successful conclusion. David McRedmond and his team have ably steered TV3 through the recession and with our support grown it for five consecutive years. We wish TV3 and Liberty Global every success in the future.”


    TV3 is the most watched channel in Ireland after RTÉ1. The Group also includes 3e which was acquired (as Channel 6) in 2008, 3PLAYER which was launched in 2010 and TV3+1 launched earlier in 2015.

    Over the past months two Pirate Bay co-founders have been questioned by Swedish police, acting on behalf of the FBI. The officers were looking for information on Pirate Bay backups and logs as part of an investigation into the honeypot scheme of the notorious Prenda copyright trolls.


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    Over the past few years copyright troll law firm Prenda crossed the line on several occasions.


    Most controversial was the clear evidence that Prenda uploaded their own torrents to The Pirate Bay, creating a honeypot for the people they later sued over pirated downloads.


    The crucial evidence to back up this allegation came from The Pirate Bay, who shared upload logs with TorrentFreak that tied a user account and uploads to Prenda and its boss John Steele.


    This serious allegation together with other violations piqued the interest of the FBI. For a long time there have been suspicions that the authorities are investigating the Prenda operation and today we can confirm that this is indeed the case.


    The confirmation comes from Pirate Bay co-founders Peter Sunde and Fredrik Neij, who independently informed TF that they were questioned about Prenda during their stays in prison.


    “I was told that Prenda Law has been under investigation for over a year, and from the printouts they showed me, I believe that,” Sunde tells TF.


    Sunde was visited by Swedish police officers who identified themselves, noting that they were sent on behalf of the FBI. The officers mainly asked questions about Pirate Bay backups and logs.


    “They asked many questions about the TPB backups and logs. I told them that even if they have one of the backups that it would be nearly impossible to decrypt,” Sunde says, adding that he couldn’t help them as he’s no longer associated with the site.


    A short while after Sunde was questioned in prison the same happened to Neij. Again, the officers said they were gathering information about Pirate Bay’s logs on behalf of the FBI.


    “They wanted to know if I could verify the accuracy of the IP-address logs, how they were stored, and how they could be retrieved,” Neij says.


    The FBI’s interest in the logs was directly linked to the article we wrote on the Prenda honeypot in 2013. While it confirms that the feds are looking into Prenda, the FBI has not announced anything in public yet.


    Both co-founders couldn’t help the FBI as they are no longer running the site, but perhaps they had more luck elsewhere. TF contacted the Swedish police a while ago asking for further details, but received no response.


    It’s worth noting that the police officers also asked questions about the current state of The Pirate Bay and who’s running the site. With the recent raid in mind, it’s not unthinkable they may also have had an alternative motive.


    In any case, today’s revelations show that Prenda is in serious trouble. The same copyright trolls who abused The Pirate Bay to trap pirates, may also face their demise thanks to the very same site.

    Norway, a country that has reportedly all but eradicated music piracy, is reportedly facing a new piracy crisis. After a study found that the illegal streaming of movies and TV shows has doubled in a year, entertainment industry groups are now threatening to take action against users of Popcorn Time. Blocking lawsuits against ISPs are also on the horizon.


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    Up until last year, downloading content using BitTorrent was an activity that needed a reasonable level of technical competence. In addition to choosing the correct software and setting everything up, users needed to make themselves familiar with any number torrent indexes and platforms.


    Then along came Popcorn Time and simplified the process to the point that almost anyone can now download the software and access a wide range of (mostly) infringing content within minutes. Needless to say, the various forks of the software have been a thorn in the side of the movie and TV show industry ever since.


    With complaints being made against the software in most western countries, it’s now Norway’s turn to make some noise. While the country has expressed concerns about the software in the past, a report published in June by consultancy firm Mediavision is adding fuel to the fire.


    According to the company, which analyzes consumer behavior within the sphere of digital media, around 750,000 Norwegians from a five million population are now obtaining video from illegal sources, up 17% on the previous year. However, it is the manner in which they are doing it that’s causing additional concern. According to the researchers, illegal consumption of streaming content has doubled in the past year. And no prizes for guessing who anti-piracy groups are blaming.


    “The reason for the increase in piracy is Popcorn Time,” says Rights Alliance Norway chief Willy Johansen.


    “It is unfortunately an incredibly easy way to watch movies. But one should be aware that this is a criminal offense. We are now collecting the IP addresses of Norwegian users of Popcorn Time.”


    While users will be disappointed to hear that they are being tracked by a Hollywood-backed anti-piracy outfit, the big question is what Rights Alliance will choose to do with that data. The group says their hand may be forced.


    “We have hoped for the longest time that we do not have to take on the end-user. But it is clear that if this does not stop, we will have no choice. Most people are now aware that they are doing something illegal, but many continue because ‘everyone else is doing it’,” Johansen says.


    Also on the horizon are lawsuits against local ISPs. Rights Alliance hopes that by obtaining a blocking injunction against Popcorn Time-affiliated sites and services, the problem might be brought under control. However, things aren’t straightforward.


    “It takes time in the Norwegian legal system, so there is a protracted process,” Johansen notes.


    “There is nothing that can be sent to the court today. But we’re working on it together with our attorneys to look into the possibility of getting this stopped through a lawsuit against broadband providers.”


    After changes in the law two years ago, these kinds of injunctions were supposed to be easy for groups like Rights Alliance to obtain, but it appears there are still significant hurdles to overcome. Not only are there very stringent requirements in order to obtain an injunction, all expenses incurred must be paid by the plaintiff.


    “No independent licensees in Norway have the opportunity [to get injunctions], because they do not have the finances to do so. If we are to stop something, it must be an overall industry behind the lawsuit. It requires a very detailed presentation of evidence, says Johansen.


    Interestingly, however, the group has been working on getting an injunction against another site, most probably The Pirate Bay. The results should become evident in a few weeks.


    “The case we’re working on already started before Popcorn Time existed. The problem is that evidence is so extensive that the whole Popcorn Time phenomenon arose during the time we spent gathering evidence from the previous service,” the Rights Alliance chief adds.


    As usual, however, the industry isn’t getting much help from ISPs including Telenor, Norway’s largest provider.


    “We wish to contribute by relating to parliamentary procedure adopted in such cases,” says Telenor director Tormod Sandstø.


    “So the court must make decisions in individual cases, also we will of course abide by those decisions. As an Internet provider we will not be a censorship body.”


    The news that Norway may target end users is disappointing. The country has all but eliminated music piracy yet still prefers anti-piracy aggression over business model changes in the video sector.

    In an effort to reclaim an estimated $67 million in assets, Megaupload's legal team has appealed the forfeiture the U.S. Government won earlier this year. The filing refutes the claim that Kim Dotcom and his former colleagues are fugitives, and warns of the dangerous precedent the District Court ruling will set.


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    Following the 2012 raid on Megaupload and Kim Dotcom, U.S. and New Zealand authorities seized millions of dollars in cash and other property.


    Claiming the assets were obtained through copyright and money laundering crimes, last July the U.S. government launched a separate civil action in which it asked the court to forfeit the bank accounts, cars and other seized possessions of the Megaupload defendants.


    Megaupload’s defense heavily protested the request but was found to have no standing, as Dotcom and his colleagues were branded “fugitives”.


    Earlier this year District Court Judge Liam O’Grady ordered a default judgment in favor of the U.S. Department of Justice (DOJ). As a result the contested assets, which are worth an estimated $67 million, now belong to the United States.


    Today Kim Dotcom and his Megaupload co-defendants appealed this decision at the Fourth Circuit Court of Appeals. In their opening brief (pdf) Megaupload’s lawyers argue that the court denied the defendants’ basic rights and violated due process.


    “The recent filing demonstrates again how the entire Megaupload case is build on quicksand. It’s a slap in the face of the DOJ and the Judge they picked for his Disney CV,” Dotcom tells TF in a comment.


    In particular, the appeal filing points out that it was wrong to rely on the ‘fugitive disentitlement‘ doctrine, as Dotcom and his former colleagues were merely exercising their legal right to defend themselves.


    “The Megaupload defendants were branded by the DOJ as ‘fugitives’ for lawfully fighting extradition in New Zealand,” Megaupload Appellate Counsel Michael Elkin notes.


    “The district court’s denial of their basic rights to defend against asset forfeiture under a ‘fugitive disentitlement’ doctrine amounts to a violation of basic due process,” he adds.


    Ira Rothken, Kim Dotcom’s Lead Global Counsel, emphasizes the injustice of the District Court decision and reiterates that his client has never even set a foot on U.S. soil.


    “With our appeal today we are asking the Fourth Circuit to rule in favor of fairness, natural justice, and due process by stopping US efforts to take Kim Dotcom’s global assets for doing nothing more than lawfully opposing extradition to the United States—a country he has never been to,” he says.


    According to Rothken the U.S. went after the millions in assets to obstruct other legal proceedings, including the extradition case which will be heard in New Zealand later this year.


    “The DOJ in our view is trying to abuse the Fugitive Disentitlement Doctrine by modifying it into an offensive weapon of asset forfeiture to punish those who fight extradition under lawful treaties, and a provocation for international discord. Today we ask the Court of Appeals for justice.”


    The 79-page opening brief concludes with a stark warning.


    If the District Court decision is upheld it would give the government unprecedented power, allowing it to indict foreigners and grab their assets without looking into the merits of the case.


    “That is not how our justice system works. The judgments below should be vacated and the case either dismissed or remanded for trial on the merits,” Megaupload’s lawyers conclude.


    Dotcom is glad to see that the appeal is finally underway and points out that Megaupload was taken down by corrupt forces in the U.S. Government.


    “They did not have the right to take billions of files from millions of Megaupload users offline. But a corrupt Senator (Chris Dodd), his best buddy (Joe Biden) and Biden’s sock puppet attorney at the DOJ (Neil MacBride) did it anyway,” Dotcom says.

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    The Polish public broadcaster TVP will begin a 4K DVB-T2 trial on Friday, July 3.



    Its main aims will be to test the compatibility of consumer DVB-T2 4K receivers employing HEVC; to test the emission quality of different parameters of transmission and reception of 4K signals; to measure and optimise the technical parameters of broadcasting in DVB-T2 in order to maximise technical reach; and – from July 20 – to compare the broadcast quality if 4K signals through different distribution channels, namely the web, TVP hybrid platform and mobile apps.



    The trial will last until the end of the month, with reception only being possible in the Warsaw area.

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    Just a day after Vodafone Portugal added its first 4K TV channel, rival Portuguese operator NOS has also launched its 4K offering with two new channels.


    NOS subscribers can now access Hispasat 4K which features content about animal life, nature and documentaries, and NOS Ultra-HD 4K, an exclusive channel that airs content from the NOS Primavera Sound, NOS em palco and NOS Festa do Virtudes cultural and music festivals, in addition to documentaries.



    The 4K content can be received by viewers equipped with TV sets that support the Ultra-HD format (3840 x 2160 pixels resolution).
    The channels available to fibre and cable subscribers of NOS and access is free of charge.

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    The BBC is set to cut 1,000 jobs as a result of a £150 million (€211m) shortfall in licence fee income, Director General Tony Hall has confirmed.


    Hall briefed staff at the corporation’s central London offices, informing them that they were adjusting to a reduction in the number of people watching live TV, meaning fewer viewers paying the annual charge.


    Three layers of management are expected to be cut, while some of the BBC’s divisions will be reduced. Most of the jobs will go from the BBC’s professional and support services, as part of efforts to cut back on duplication of roles.


    The current round of cuts is expected to save around £50 million, but the BBC has hinted there could be further job losses to come.


    Hall told staff: “A simpler, leaner, BBC is the right thing to do and it can also help us meet the financial challenges we face. We’ve already significantly cut the costs of running the BBC, but in times of very tough choices we need to focus on what really matters – delivering outstanding programmes and content for all our audiences.”


    The announcement comes on the back of measures aimed at making £1.5 billion of savings a year by 2017 by reducing the amount of money spent on admin, property costs and sports rights.

    Telefonica has rebranded its pay-TV platform previously known as Movistar TV to Movistar Plus, following the acquisition of Canal Plus, with the first combined packages to be launched next week.


    There will be new TV packages: Movistar Plus Familiar, Movistar Plus Cine, Movistar Plus Series, Movistar Plus Deportes and Movistar Plus Futbol. All of them will include Canal Plus but with a reduced version of the channel without the Sunday’s football match and without film premieres.


    Premium content will be offered in a la carte channels like Canal Plus Partidazo with all La Liga football matches for €8 a month and Canal Plus Estrenos with just released Tv films. The TV series channel with a VoD service will be marketed at €7 a month.


    Movistar Plus will also offer the current Canal Plus’ OTT service Yomvi and will allow subscribers to record in the cloud up to 350 hours of programming. Channels like Sportmania and Canal Plus Liga de Campeones will disappear.


    The convergent package Fusion will be rebranded as Fusion Plus including mobile and fixed telephony, broadband access to the Internet and pay-TV.

    There are Italian press reports that Sky (which controls the Sky UK, Sky Germany and Sky Italia broadcasters) has offered €1.1 billion to buy Mediaset’s pay-TV arm, which Mediaset has rejected.


    In a note to clients, investment bank Exane BNP-Paribas hints that this is good news for both Mediaset and Sky. The bank’s report says it shows Sky is prepared to drive further consolidation in Europe, although the bank questions how much further Sky might go to achieve its goal.


    Talking of goals, it is worth remembering that Sky Italia and Mediaset share coverage of Italy’s Seria A football games (2015-2018 series), and this sharing is the subject of an investigation by Italy’s powerful financial police force and the nation’s Competition Authority over alleged collusion between the two broadcasters.


    The bank’s note concludes that it has valued Mediaset’s pay-TV arm as being worth about €900 million, although it doubts how much further Sky might be prepared to bid for what is – at the moment – a loss-making operation.


    Nevertheless, the bank states that it believes Italian pay-TV is “ripe for consolidation”.

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    Ofcom has published on the volumes of consumer complaints made to Ofcom against the major providers of telecoms and pay-TV services.


    The latest report covers the three-month period from January to March 2015 (Q1), and reports on the complaints made to 13 providers of fixed line telephone, fixed line broadband, pay monthly mobile and pay-TV services. This is the seventeenth quarterly Ofcom report to include complaints data by provider, and the thirteenth report to include data for pay-TV complaints.


    The total volume of telecoms and pay-TV complaints made to Ofcom decreased slightly in Q1 2015.


    While overall complaints volumes were marginally higher in Q1 for broadband and pay-TV services, fixed line telephone and mobile pay monthly services both saw a reduction in complaints.


    Claudio Pollack, Director of Ofcom’s Content and Consumer Group, said: “Publishing provider-specific complaints data is one way we’re able to help consumers make informed choices about the services on offer to them. The reduction in the total volume of complaints is welcome, but there is still room for providers to improve their performance. This report is one of a number of ways we seek to give providers incentive to address areas of customer dissatisfaction.”


    Pay-TV services


    BT continued to generate the highest volume of pay-TV complaints per 1,000 customers (0.15).


    TalkTalk Group generated the second-highest complaints volumes (0.12 per 1,000 customers) and saw an increase in complaints since Q4 2014.


    The number of complaints against Virgin Media was in line with the industry average (0.04 per 1,000 customers).


    Sky was the only provider to generate fewer complaints than the industry average (0.01 per 1,000 customers), and it remained the best-performing pay TV provider.


    Broadband services


    EE generated the most complaints for broadband as a proportion of its customer base during the first quarter of this year, with 0.51 per 1,000 customers.


    This reflected an increase in complaints about EE’s broadband since Q4 2014 (0.42 per 1,000 customers in Q4 2014), and the highest level of complaints since Q1 2013.


    Problems relating to faults, service and provision (37%), billing, pricing and charges (20%) and complaints handling (20%) were the main drivers of complaints about EE broadband.


    BT, Plusnet and TalkTalk all generated complaint volumes above the industry average, with TalkTalk also seeing a complaints increase (up to 0.26 per 1,000 customers).


    Virgin Media complaints (0.09 per 1,000 customers) were below the industry average, but had increased since Q4 2014 (0.06 per 1,000 customers).


    Sky’s relative complaint volumes (0.05 per 1,000 customers) fell below Virgin Media’s, making it the best performing broadband provider.


    Source : http://advanced-television.com…and-earn-most-complaints/

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    Sky has announced plans to launch a dedicated kids app. It follows the recent expansion of its on demand library within the genre from 700 to 4,000 titles.


    The broadcaster is also planning the appointment of a head of kids content.


    Kids is seen as an area of significant development by pay-TV providers against the popularity of Netflix on demand content. It goes further following the publication of Ofcom data that shows around one quarter of children aged 5-7 and one-third of children aged 8-11 own a tablet. The proportion of children watching TV on a tablet has risen by a third in a year to 20% while a third watch TV on-demand.


    Stephen van Rooyen, Chief Marketing and Digital Officer, Sky commented: “We want kids to have access to all their favourite shows when and on whatever device they want, in a way that parents know is creative, engaging but ultimately, safe. Sky has always focused on providing great entertainment for the whole family which is why we are continuing to invest in what we offer the youngest members of the household. ”


    Development of the kids’ app, slated for launch in early 2016, is already underway. Sky has hired ustwo: designers of Monument Valley, winner of Apple’s 2014 Design Award iPad game of the year and two BAFTAs.


    Aimed at children aged 4-9 years, the app will bring together a selection age-appropriate shows available on Sky, from the likes of Cartoon Network, Disney and Nickelodeon


    It will include options to filter what their child views, limits usage including a ‘bedtime’ setting as well as the ability to understand what their child has been watching.

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    Sky is calling on the UK comms industry regulator Ofcom to instigate a full market investigation to examine problems affecting consumers in the UK’s broadband marketplace. The company believes that issues covering both competition and quality of service are sufficient for Ofcom to ask the Competition and Markets Authority (CMA) to conduct an inquiry. The call is made in a formal submission to Ofcom that Sky has made public.


    In the submission, Sky sets out details of the standard of service delivered to consumers by BT’s Openreach division, which operates and maintains the UK’s national telecoms network. The evidence highlights how a history of under-investment has led to range of service quality problems including an excessive number of network faults, failure to meet targets for repairing faults, long waits to have new lines installed, appointments that are missed and jobs that are not completed.


    Key findings from Sky’s submission include:


    More than 90 per cent of new line installations, which require an Openreach engineer to attend, take 10 calendar days or longer. Almost one in ten installations takes longer than 30 days.


    Openreach changes the agreed installation date for Sky customers on average around 36,000 times a month.


    Openreach misses over 500 appointments each month to install new lines for Sky customers and fails to complete a further 4,000 jobs per month.


    Fault rates across Openreach’s network increased by 50 per cent between 2009 and 2012, the last year for which reliable data is publicly available.


    Openreach’s performance in fixing faults is consistently below the targets set out in agreements with service providers.


    Sky represents around one third of broadband customers relying on access to the network operated by Openreach. If its experience is typical across the market as a whole, the scale of the overall impact on customers is therefore greater in scale by around three times, Sky contends. For example, if the rate of missed Openreach appointments was repeated across the market, and all affected customers lost a day of work, the loss to the UK economy each year would be 18,000 days of work. This is equivalent to 70 years of full-time work.


    The scale of these problems is directly related to the level of investment in the ‘last-mile’ or ‘access’ copper infrastructure that connects individual homes to BT’s network. Alongside the submission, research by independent consultancy Frontier Economics shows years of declining investment in maintaining the copper network. After accounting for the cost of rolling out fibre broadband, Frontier estimates that capital expenditure on other Openreach activities (including maintaining the copper network) fell by around a third over the last decade. Such cuts have the effect of reducing service quality and overall network reliability.


    In addition to problems of quality of service, Sky highlights concerns about future competition in the market for broadband services in the UK. Over the last decade regulation has supported effective competition and new entrants have challenged BT, resulting in increased choice, lower prices and innovation for customers. However, superfast broadband services are regulated differently and these gains may be at risk from a reduction in competition as the UK transitions to services based on the new technology.


    Mai Fyfield, Sky’s Chief Strategy Officer, said the operator was drawing attention to the problems in broadband because they are important to the economy as a whole. “They affect competition between providers and have a direct impact on consumers and small businesses, resulting in inconvenience, dissatisfaction and loss of productivity. The UK needs to get the basics right in broadband as well as develop the networks and services of the future,” she declared.


    “We believe that Ofcom should move quickly to ask the Competition and Markets Authority (CMA) to undertake a full competition inquiry. A reference to the CMA would allow these vital issues to be examined with increased speed and thoroughness by a body with the powers to take whatever action should be deemed necessary. Given the rapid changes taking place in the sector, we believe this should happen as soon as possible,” she concluded.