Posts by Prophet

    Satellite broadcasting is the ideal way to provide Ultra HD, as it delivers sufficient bandwidth to all the DTH, cable and IP TV homes it serves.
    Our technology allows Ultra HD to be easily distributed to millions of homes over the coming decades in the same way it has driven HD to become the de facto standard in digital TV today. SES was at the heart of the development of HD in Europe and Ultra HD is the next opportunity to make a tremendous difference to the landscape of broadcasting.


    Experience real Ultra HD today


    SES currently broadcasts two Ultra HD demo channels over its 19.2 degrees East orbital position. The content highlights the impressive viewing experience of Ultra HD in terms of detail, color and movement and it includes footage from Chicago, St. John, Paris and Luxembourg. The transmission is in line with the DVB UHD Phase-1 specification.


    For a full Ultra HD experience, tune your Ultra HD capable TV set and set-top-box to our demo channels. If you are not equipped with an Ultra HD TV set, have a look at our YouTube teaser. Don’t forget to select the highest resolution available (HD or 4K).


    ASTRA 19,2°E
    Transponder: 1.035
    Frequency: 10.994 GHz
    Polarisation: Horizontal
    Symbol Rate: 22 MS/s
    DVB-S2
    Modulation: 8PSK
    FEC: 5/6


    ASTRA 28,2°E
    Transponder: 2.038
    Frequency : 12.441 GHz
    Polarisation: Verticale
    Symbol Rate : 29.5 MS/s
    DVB-S2
    Modulation: QPSK
    FEC: 3/4


    ASTRA 5°E
    Transponder: 4.007
    SES-5 Nordic Beam
    Frequency : 11,345 GHz
    Polarisation: Horizontal
    Symbol Rate : 30 MS/s
    Modulation: DVB-S2 8PSK
    FEC: 3/4


    Please feel free to add your 4K / UHD finds below


    From Kingofsat


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    You might think your new 4K TV set is the height of living room tech, but it may not be able to play back a simple footie game very soon.


    That’s because early adopters of UHD televisions could find their sets are unable to handle future 4K sports broadcasts.


    Many 4K TVs, particularly early units, simply don’t have the processing heft to play UHD content back at a rate higher than 25 frames per seconds.


    That’s fine for Hollywood movies, but sports broadcasts need to be transmitted at a higher frame rate due to the content’s faster pace.


    Chris Jones, Sky’s chief engineer of broadcast strategy, said: “If you bought a set in 2013 and early 2014, then sorry, it won’t do sport,” as reported by the IBTimes UK.


    He continued: “It’ll only go up to 25 frames per second. If you bought a set last year, even a set in the sales this summer, this spring, then I’m sorry – it won’t do High Dynamic Range, which gives you better, brighter pictures.”


    According to Jones, sports broadcasts would be best transmitted at 100 frames per second, which requires huge processing power at a 4K resolution.


    That’s because while Full HD is video that makes use of 1920 x 1080 pixels, 4K works at resolutions of 3840 x 2160 and 4096 x 2160, which is much more difficult to process due to the increased information.


    Samsung currently sells a UHD Evolution Kit. For £400, this will allow you to upgrade the performance of certain 4K TVs from 2013.


    But as there’s still no standard for 4K broadcasting yet, it’s not clear whether this plug-in will allow for high-quality sports content.


    Samsung reportedly stated it will “be working closely with all streaming and other UHD services to ensure that we continue to meet any new standards that come into the market.”

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    There have been a lot of rumours that Sky will launch its 4K service sometime this year, and now to add some fuel on that fire, SES Astra, the company that runs the satellites Sky uses for its service, has launched a 4K demo channel.


    This obviously doesn't prove anything in itself, but the service will be broadcast from Astra 2E which is one of the satellites used by Sky in the UK. The demo service has already been airing on Astra's 19.2 degree service, which serves most of mainland Europe.


    Astra isn't the only satellite company trying UHD services. Eutelsat is broadcasting a channel that shows 50p 4K content with 10bit colour on Hot Bird. The only other way consumers can currently see 4K is via Netflix and Amazon Prime Video. There still isn't a formal Blu-ray standard yet, and players will be unlikely to arrive much before the end of the year.



    Even so, there is plenty of content coming. Older movies are constantly being remastered and converted to 4K, so there is an archive already growing. Sports will almost certainly be one of the drivers for an UHD service, and there's no doubt Sky will be looking for extra ways to pay for its expensive football rights.


    Sky is still refusing to announce its plans


    Sky still won't say if it has a 4K service arriving soon, in spite of its newly-acquired German service admitting that it will launch a UHD channel later this year.


    While that doesn't definitively prove that Sky UK will, it does at least mean there will be content coming from Europe - like football - already in the format.


    There is currently a huge amount of debate around 4K standards, like colourspace and copy protection. Until those issues are resolved, we might not get a Sky service in the UK at all.

    The momentum behind Ultra HD 4K TV is quickly gathering


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    4K: Everyone wants it and no one knows why. It's the hottest techy buzzword of 2015, and it's a technology that's rewriting the rulebook when it comes to image quality.


    It affects not just the world of 4K TV and cinema, but also cameras and image capture, smartphones and tablets, computer monitors and PC games - practically anything that displays images or records video.


    4K TV sets are now available from most of the major TV manufacturers - i.e. Sony's impossibly slim Android TV, LG's OLED or Samsung's SUHD series of TVs - but they're merely the tip of a very cool technology iceberg.


    So what, we hear you ask, is 4K really all about?



    What is 4K?


    The headline fact is simple and dramatic: 4K Ultra HD TVs (also known as UHD TVs) deliver four times as much detail as 1080p Full HD, that's eight million pixels compared to two million pixels.


    What that means in terms of potential image clarity is more fine detail, greater texture and an almost photographic emulsion of smoothness.


    But this is just for starters. Prior to a roll-out of TV services, broadcasters are working out what else they can upgrade under the 4K banner. In the UK, a working group chaired by the BBC and BSkyB are mulling over every possible tweak, from higher frame rates to greater contrast and a wider colour spectrum. Some of the biggest names in the video industry including Samsung, LG and Sony have split-off to form another group called the UHD Alliance, which will work to set standards for the new format.


    But talk to the engineers steering this 4K broadcast bandwagon and they'll tell you everything spec-wise is up for grabs. If this indicates to you that the 4K standard is anything but set in stone, you'd be correct.


    Ultra HD is going to be a work in progress for years to come, but that doesn't mean you should wait for the dust to settle before improving your image.


    Difference between Ultra HD and 4K


    Technically, "Ultra High Definition" is actually a derivation of the 4K digital cinema standard. However while your local multiplex shows images in native 4096 x 2160 4K resolution, the new Ultra HD consumer format has a slightly lower resolution of 3840 X 2160.


    This is one reason why some brands prefer not to use the 4K label at all, sticking with Ultra HD or UHD instead. However, the numerical shorthand looks likely to stick. As a broad brush label it's so much snappier!


    Why should I care about 4K Ultra HD?


    There are many reasons why 4K should make you rethink your next TV purchase (actually, there are eleven and you can read about them here), not all of them immediately obvious.


    Photographers who routinely view their work on an HD TV are seeing but a fraction of the detail inherent in their pictures when they view them at 2160p.


    A 4K display reveals so much more nuance and detail – the difference can be astonishing. While 3D has proved to be a faddish diversion, 4K comes without caveats. Its higher resolution images are simply better.


    The higher pixel density of a 4K panel also enable you get much closer without the grid-like structure of the image itself becoming visible –this means you can comfortably watch a much larger screen from the same seating position as your current Full HD panel. Currently all available 4K Ultra HD TVs are in excess of 50-inches.


    Projectors


    While 4K UHD TVs are on the fast track, the same can't be said for video projectors. Only Sony offers 4K models, the high-end quasi pro VPL-VW1100ES and the home cinema friendly VPL-VW500ES.


    Currently there's no consumer 4K solution for LCD, D-ILA or DLP projectors, although that's likely to change in 2015, when Texas Instruments is expected to begin shipping its first 4K DLP chipset for home hardware.


    How expensive is an Ultra HD TV?


    The first wave of 4K TVs were large, really large. Both Sony and LG launched with 84-inch panels, the KD-84X9005 and 84LM960V respectively.


    Consequently, they were saddled with price tags in excess of £20,000/$30,000. Not to be outdone, Samsung weighed in with the 85-inch S9 at £35,000/$55,000, clearly aimed at footballers and oligarchs!


    However, prices have fallen dramatically as screen sizes have shrunk and brands have predictably embarked on a tit for tat price war. You'll now find 4K TVs for less than $1000, though we'd encourage you to be careful when choosing one - a 4K resolution won't necessarily give you a better picture if the processing electronics behind the panel are bad.


    Generally speaking, a market-leading 65-inch 4K TV like the Sony KD-65X9005B will set you back a little over $3,500/£3,000... and they're getting cheaper.


    So how small will 4K Ultra HD screens get?


    In the short term, screen sizes are likely to stabilise at 55-inches and upwards. That's because as the screen size shrinks the advantage of having such a pixel dense display starts to diminish. There's also an irrefutable relationship between screen resolution and viewing distances.


    While seating will vary from home to home, generally speaking a large 4K TV will provide an upgrade for a smaller 1080p screen. However, the 4K resolution will ultimately be about more than just definition.


    High frame rate UHD broadcasting could have an even greater impact than resolution when services begin – and the benefits of HFR are not restricted to larger screen sizes. When this second generation 4K UHD breaks cover, expect high-frame rate 4K TVs to drop further down the size scale.


    How far should I sit from a 4K TV for the best picture?


    4K Ultra HD is a much more intimate viewing experience than Full HD. In many respects, the best way to view 4K is analogous to the way we view films in a cinema. Old style cinemas were shoe-box shaped and most patrons sat typically 3-5 screen heights away, because that was the most comfortable viewing distance.


    Contemporary cinemas are wider, and now the optimum viewing distance is 1.5 screen heights back. From this vantage point you can take in all the visual information that's available and comfortably fill your field of vision. Translated to the home, that makes the most comfortable distance to view a 65-inch 4K screen approx. 1.5m. Of course, in many homes that simply isn't practical. Consequently, a large 4K screen is probably best viewed at a distance of between 2-3m; time to rearrange your furniture?


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    Is 4K OLED on its way?


    OLED - organic light emitting diodes - have been around for some time, but producing big screens using this technology has proven to be prohibitively expensive, something which has blighted the chances of OLED televisions becoming mainstream.


    Which is a real shame, because OLED technology can be stunning - with vibrant colors, deep blacks and bright whites.


    And obviously some companies agree because the likes of LG are labouring away to bring OLED to 4K televisions. "I believe the price and yield rate will be higher immediately and the price will be down," Mr K I Kwon, president of LG Electronics UK, told TechRadar recently.


    So, although LG's next 4K OLED television will remain too expensive for mass market, we shouldn't rule out OLED as a big player in the next generation of our televisions just yet.


    4K TV channels


    There are currently no 4K TV channels being broadcast. But in July 2014 the DVB Steering Board approved the DVB-UHDTV Phase 1 specification, allowing for over-the-air transmission of 3840x2160 resolution pictures at 60Hz and promising much improved colour depth with 10 bits per pixel rather than 8.


    The standard is expected to be ratified by the ETSI shortly, which is likely to open the floodgates for broadcasters to start launching Ultra HD TV channels.


    The main problem with this new standard is that current TVs and set-top boxes will be incompatible, so you'll need to buy new gear to make use of it. You can read more on this in our news story.


    What 4K content is available for me to watch?


    As of April 2014, Netflix became the first big name to deliver 4K content to the home. When you open the Netflix app on a 4K TV, 4K content will stream automatically where it's available. From the start, that's just House of Cards Season 2, but don't worry - there's LOTS more 4K content ready to be piped into your home.


    YouTube offers a nascent 4K channel, but you'll require a powerful PC with a 4K capable graphics card, of which there are few that make economic sense.


    But the lack of native 4K isn't quite the big deal you might at first imagine. The truth is today's Ultra HD screens do such a remarkable job with 1080p content that you almost certainly won't feel shortchanged. Rather than just linearly scale, big brand sets utilize all manner of database interpolation to upscale images, and the results are spectacular.


    To take advantage of this, Sony has released a selection of Mastered in 4K branded Blu-rays. These are in fact standard 1080p Blu-ray discs, albeit ones based on the best available transfers which take full advantage of available disc capacity. They have also been mastered with a wider colour range than standard Blu-ray platters.


    A 2160p upgrade on the Blu-ray standard is inevitable, of course, which will allow for true Ultra High Definition movies to be sold on disc.


    Sony meanwhile has rolled out a download service in the USA for owners of Sony 4K TVs – however there's no sign of that arriving in Europe just yet.


    How important is HDMI 2.0 to 4K Ultra HD?


    HDMI 2.0 is the latest iteration of the HDMI specification. While the existing HDMI 1.4 standard can deliver 4K video, it's limited to 30 frames per second (or 30Hz). While this is fine for most movies, broadcasters are looking for higher frame rates for TV.


    HDMI 2.0 increases bandwidth up to 18Gbps and supports 4K Ultra HD at 50/60 fps, with 12-bit 4:2:2 colour (you don't need any special cables for HDMI 2.0 interconnectivity, any current high-speed cable will work). However, only Panasonic currently offers an HDMI 2.0 compatible 4K TV, in the shape of the TX-L65WT600.


    So where does that leave the remaining first generation 4K sets? Well both Philips and Samsung, whose 4K panels are coupled to separate connection boxes, say they'll simply introduce new tuners which owners can upgrade to.


    Sony and others are looking to implement a firmware fix; by shedding colour sub pixels they reckon they'll be able to fit high frame-rate 4K down a HDMI 1.4 pipe, most likely with 8 bit 4:2:0 colour. How visible this kludge will be remains to be seen. For what it's worth, we've seen JVC's 4K e-Shift3 projectors running 4K at the same colour resolution, and they look spectacular so the omens are good.


    Hang on, what about 8K?


    If 4K offers four times the resolution of Full HD, then 8K will deliver 16 times the definition. 8K screens comprise a staggering 33 million pixels.


    This is an order of magnitude beyond any display technology currently available, and only one broadcaster, Japanese state owned NHK, has publically said it intends to commercialise the technology.


    Also known as Super Hi-Vision, a number of 8K trials have been conducted, including acquisition at the London 2012 Olympics. NHK has since pledged to shoot and transmit the 2020 Tokyo Olympics in the format.


    Of course, bringing 8K to market is a formidable technical challenge. As with 4K, HEVC, is currently favoured as the best compression technology for the job.


    However, because the benefits of 8K image definition only really become apparent on screens 84-inches and larger, the format is not seen as a commercially viable platform by most broadcasters and TV manufacturers. If you're waiting to jump from Full HD to 8K, you could be kicking your heels for quite some time.


    So should I buy a 4K set now or should I wait?


    It depends. If you want the absolute best TV you can get right now and don't mind paying a premium for it, it's a 4K set. If you're buying from one of the top tier manufacturers, you're going to get a good product that's reasonably future-proofed. As we said before, the sets look great. However, don't expect to be watching most of your video content in 4K for another two to three years. And make sure any set you buy has HDMI 2.0 ports (the first wave of 4K TVs used the previous HDMI 1.4 standard).


    On the other hand, if you're price sensitive or want to wait until the content side of the equation is a bit more solved, it absolutely makes sense to wait. You're not missing out on much at the moment. There are incredible values to be found in generously-sized 1080p sets right now. And 4K sets are only going to get cheaper.

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    UK telco and pay TV provider, BT, has confirmed plans to launch an Ultra High Definition (UHD) sports channel, along with a new UHD set-top box this August.


    Announcing the plans this morning, the UK operator said that BT Sport Ultra HD will be the first UHD, 4K channel to launch in Europe and will show selected live football matches from the Champions League, Premier League, FA Cup, as well as some Aviva Premiership Rugby fixtures.


    The first fixture to be broadcast in 4K by BT will be the Community Shield football match, which is due to take place on August 2. The fixture, which traditionally opens the new footballing season, will see this year’s Premier League winners Chelsea take on FA Cup victors Arsenal at Wembley.


    BT said that viewers interested in taking up its Ultra HD offering will benefit from four-times better resolution than standard HD, and its “best-ever YouView+ box” with up 1TB of storage space – the equivalent of 600 hours of standard definition content or 250 hours of HD.


    The news came as BT also announced another new sports channel, BT Sport Europe – which it said will be “the new home of top European football.”


    BT Sport Europe is due to launch on August 1 and will air all live UEFA Champions League and Europa League football matches.


    The channel joins BT’s sport pack – which also comprises BT Sport 1, BT Sport 2, ESPN on BT Sport. The sports line-up is free to customers that subscribe to BT TV and BT Broadband, while BT Broadband customers without BT TV can get the sport pack for £5 a month.


    BBC presenter and former England footballer Gary Lineker will front BT’s the live UEFA Champions League coverage alongside former Manchester United defender Rio Ferdinand and presenter Jake Humphrey.


    “When we launched BT Sport we promised to make televised football far more accessible and affordable than it has been to date. We have opened the market to millions of new customers and we want to build on that as BT Sport becomes the undisputed home of European football,” said John Petter, chief executive of BT Consumer.


    “We are of course giving our best offer to existing customers – broadband customers will get the new BT Sport Pack for the heavily discounted price of £5 whilst customers who take broadband and TV from us will get it absolutely free. This is a new chapter for European football on TV. BT Sport will show hundreds of live matches throughout the tournament using the very latest technology.”


    BT won the Champions League rights as part a £897 million (€1.07 billion) three-year deal that was agreed in 2013 and comes into effect from the 2015/16 season.


    BT shares Premier League football rights with its main rival Sky, which retained the bulk of live Premiership matches in an auction earlier this year, paying a record £5.14 billion for the three seasons from 2016/2017.

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    The number of pay-TV subscribers in the UK has risen by 1 million on the past year with Sky’s entry product NOW TV emerging as a significant player.


    IHS Technology says that as at March 31, 2015 there were 16.7 million UK households subscribing to pay TV via satellite, cable or IPT, up from 15.6 million in the same period in 2014.


    Sky remains the leading pay-TV platform in the UK and Ireland with 11.9 million customers at the end of Q1 2015, of which IHS estimates 10.3 million TV customers in the UK. Sky’s net year-on-year gain was over 400,000 subscribers.


    But the analyst says that all of Sky’s growth is now derived from NOW TV, underling the strong demand for OTT services in the UK, and against a background of declining subs for the satellite-delivered service.


    “Sky’s careful pricing of the NOW TV offer has minimised the risk of cannibalism from the tradition customer base, while hit shows such as Game of Thrones and the relatively low cost of the box itself have proven attractive to new consumers,” says IHS.


    Talk Talk had 1.4 million subscribers at Q1 2015 (a net year-on-year gain of 28%), with BT reporting 1.1 million TV subs (13%), excluding BT Sport and Virgin Media 3.7 million, almost unchanged from Q1 2014.


    Without Now TV, IHS research indicates that Sky’s satellite subscriber base declined 52,000 in Q1 2015 versus Q4 2014. This was the fourth successive quarter of decline in subscriptions to Sky’s core pay TV service.


    Source : http://www.broadbandtvnews.com…ow-tv-driving-sky-growth/

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    Crackdown on Swedish pirate TV network


    JUNE 15, 2015 10.45 EUROPE/LONDON BY JULIAN CLOVER


    Police in Jönköping have launched a coordinated crackdown on a pirate network, responsible for the unlicensed distribution of ViaSat, Canal Digital and Com Hem.



    The operation, carried out with the Nationella Operativa Avdelning (National Operations Department) last Wednesday, resulted in the detention of several people.



    Under Swedish law the administration of a pirate TV network can result in up to two years imprisonment and substantial damages.



    Since August 2014 it has been illegal to be a customer of a pirate TV network.


    Source : http://www.broadbandtvnews.com…wedish-pirate-tv-network/

    Amazon has removed the popular media center Kodi from the app store claiming it facilitates piracy. The software, formerly known as XBMC, doesn't link to or host any infringing content, but third-party add-ons are giving the software a bad reputation.


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    Taking “infringing” apps out of popular app stores is one of Hollywood’s key anti-piracy priorities for the years to come.


    Various entertainment industry groups frequently report “piracy-enabling” apps to Apple, Google, Microsoft and Amazon, alongside requests for the stores to take them offline.


    The stores themselves also screen for potentially problematic software. Apple, for example, has notoriously banned all BitTorrent related apps.


    Increasingly, Amazon is also policing its app marketplace for possibly infringing content. A few days ago, this led to the removal of the popular media center Kodi, previously known as XBMC.


    “In reviewing your app, we determined that it can be used to facilitate the piracy or illegal download of content. Any facilitation of piracy or illegal downloads is not allowed in our program,” Amazon wrote to Kodi.


    “Please do not resubmit this app or similar apps in the future,” Amazon’s support team added.


    TF spoke with XBMC Foundation board member Nathan Betzen, who was surprised to hear Amazon’s decision. In recent months the project has worked hard to distance their brand from piracy, so Amazon’s accusation is a huge disappointment.


    The Kodi software itself is an entirely legal media center that doesn’t come with any infringing features or content. However, there are many third-party addons that allow users to stream pirated movies and TV-shows.


    The Kodi team is actively pursuing infringing addons and sellers who abuse the brand, and is also trying to obtain a trademark so they can go after these piracy promoters more effectively.


    “Most importantly, we’re working to finalize our trademark filing. Once our trademark is registered, it becomes dramatically easier to issue takedown requests with the various organizations that provide voice for these groups advertising and selling pirate boxes,” Betzen tells TF.


    “We always say we don’t care what our users do with the software, and we stand by that position. But we sure do hate it when companies destroy the name of our software in order to make a profit.”


    For Amazon to ban the app is “absurd” according to the Kodi team, because the company is still allowing vendors to sell boxes that are giving the software this bad reputation.


    “I assume I don’t have to tell you how absurd it is that Amazon won’t let us into their appstore, but they have no problem selling the boxes that are pushing the reason they won’t let us into their app store,” Betzen says.


    Removing Kodi may also hurt Amazon in the long run, according to Betzen. The application allowed many other third-party services that are currently not on Amazon, available to Amazon Fire TV and Amazon Fire TV Stick users.


    “This is a bad decision on Amazon’s part simply because Kodi is one giant reason people buy Amazon Fire TVs and Amazon Fire TV Sticks. Compatibility with our software makes for a really simple backdoor for entering the Amazon ecosystem.”


    “I personally have sideloaded Kodi onto Amazon sticks for a number of my family members, who then found themselves also using Amazon Prime and many other Amazon services,” he adds.


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    Coincidentally, around the same time Amazon booted Kodi from their market, Google decided to include it in the Play Store. According to the Kodi team this is yet another reason for people to leave Amazon hardware behind.


    “It’s going to be extraordinarily difficult for Kodi users to justify going down the Amazon hardware path and recommending the Amazon path to others,” Betzen concludes.

    The season finale of Game of Thrones has set a new piracy record, with 1.5 million downloads in eight hours, a number that will swell to over 10 million during the days to come. In addition, the episode is also on track to break the all-time record for the number of people sharing a single file at the same time.


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    The fifth season of Game of Thrones has been the most-viewed so far, both through official channels and among pirates.


    With this in mind the season finale was expected to be a record breaker, and it didn’t disappoint.


    With the Internet abuzz over the latest plot twist and turns, many people turned to torrent sites to grab a pirated copy of the show, which appeared online shortly after the broadcast ended.


    Data gathered by TorrentFreak shows that during the first eight hours, the season finale has been downloaded an estimated 1.5 million times already.


    Never before have we seen this many downloads in such a short period of time, and last year it took half a day to reach the same number. Based on this figure, the download count is expected to increase to more than 10 million during the days to come.


    A brief inspection of the download locations shows that Game of Thrones pirates come from all over the world, as we’ve seen previously. The show is particularly popular in the United States, the United Kingdom, Canada and India.


    While HBO began warning individual downloaders earlier this year, the piracy demand appears to keep growing. In addition to the 1.5 million downloads the latest episode is also on track to beat the piracy swarm record.


    At the time of writing the Demonii tracker reports that 224,449 people are sharing a single torrent at the same time. 144,201 are sharing a complete copy of that particular torrent while 80,248 are still downloading.


    The current record stands at a quarter million active sharers, but this is usually reached later in the day. We will update this article in a few hours with an updated count.


    Over the past three years Game of Thrones has been the most pirated TV-show. Based on the number of downloads this season, the same result will be achieved in 2015.

    After 2.5 years of operations the Mega cloud storage service has published its first transparency report. Aimed at inspiring confidence in how the company deals with complaints and protects privacy, the document reveals that Mega takes content down faster than Google and a maximum of 0.165% of users have been suspended.


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    For the past several years the publication of a so-called ‘Transparency Report’ has become common on large technology focused sites. Reddit, Twitter and even Amazon produce such documents.


    Perhaps the best known report is produced by Google. This giant database is updated on a daily basis and includes details of hundreds of millions of requests by third parties to have content removed from the search giant’s databases. Today, cloud-storage site Mega gets in on the act with the publication of its first transparency report since the company launched in 2012.


    The report, which details activities up until March 2015, focuses on content removal requests and third-party requests for information related to Mega’s users.


    Noting that the company is New Zealand-based and is governed by the laws of that country, Mega notes that it also aims to comply with regulatory requirements in other key areas in which it does business, notably the United States.


    Copyright takedowns


    “When Mega receives such notices it promptly removes or disables access to the offending file or files, depending on the type of request, consistent with the Terms of Service agreed to by every registered user,” Mega notes.


    Interestingly, Mega offers three options when accepting takedown requests:


    1. Disable one link per file – the file will remain in the user’s account
    2. Disable multiple URLs per file – the file will remain in the user’s account
    3. Remove all underlying files of the supplied URL(s) – there is no user permitted to store this under any circumstance worldwide.


    These options allow for externally linked content to be taken down while respecting fair use, for example.


    “Many copyrighted materials provide the user with a licence to make a backup copy. Recently enacted UK law confirms this right. Uploading it to a cloud storage service is not infringing,” Mega explains.


    Overall, the numbers of files being taken down are small when compared to the total number of files stored on the service.


    “The number of files which have been subject to such take down notices continues to be very small, indicative of a user base which appreciates the speed and flexibility of Mega’s system for fully legal business and personal use.”


    Mega’s claims of a “very small” number of files being taken down is supported by the company’s data. Currently the company’s users upload an impressive 15 to 20 million files per day, or more than 200 files every second.


    During 2013 Q1, Mega took down 30,078 files, representing just 0.019% of the total number of files present on Mega’s servers. By the first quarter of 2015, files taken down numbered 107,146 but due to a further boost in total files stored, that represented just 0.002% of the company’s storage.


    Also noteworthy is the total number of requests Mega received for the removal of content. Starting in 2013 Q1, the company received 51,857 requests but 21,779 (42%) were either duplicate or invalid. By 2015 Q1 things had improved somewhat with ‘just’ 21% of requests rejected. However, 2014 Q4 was a particularly bad month, with more than a quarter of a million (63% of all notices sent) rejected due to being invalid or duplicate.


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    Despite the large numbers of complaints received (valid or otherwise), Mega says that it deals with them all in a timely manner.


    “The DMCA requires links to be taken down expeditiously. Most cloud providers target takedown within 24 hours. Mega targets takedown within a maximum of 4 hours, with takedowns frequently being actioned much quicker than the 4 hour target,” the report reads.


    This timing is impressive. In a 2014 announcement, Google reported an average takedown time of six hours when the company took down 222 million results from Google Search in 2013.


    Repeat infringers


    With entertainment companies continuously breathing down the company’s neck, the way Mega deals with so-called ‘repeat infringers’ is an important public barometer of the company’s attitude towards protecting copyright.


    “Mega maintains market leading processes for dealing with users who upload and share copyright infringing material or breach any other legal requirements,” the company notes.


    “Mega suspends the account of any user with 5 takedown actions. In some cases the account can be reinstated where it is proved to be the subject of invalid takedown notices but most suspended accounts are terminated. Up to 31 March 2015, Mega had suspended 29,213 users.”


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    Requests for personal information


    Mega bills itself as ‘The Privacy Company’ so users are likely to expect that their personal information will be as safe, if not safer, in the hands of Mega than similarly placed service providers. Mega says it values user privacy but in some cases the company will hand over information to relevant authorities when required.


    “Privacy is not an absolute right and is subject to limitations. We take all requests for the disclosure of user information seriously. In considering any request for user data, user information or action involving a Mega user, Mega starts from the position that user data and information is private,” the company writes.


    “Mega will generally only provide user details when required to do so by New Zealand law or a New Zealand court or law enforcement authority with appropriate jurisdiction but Mega may consider requests made by non-New Zealand law enforcement authorities and civil claimants.”


    However, considering how many people use Mega’s services, requests for personal information are extremely low.


    In 2013 the company received just a single request but handed over no data. In 2014 a total of six requests were received (all from overseas) and just two resulted in information being disclosed. Of that total, four requests were made by government or the police, two from corporate entities and one from a private individual.


    “Mega respects the need to openly disclose the level of non-compliant activity of the few users who breach its Terms of Service, even though many competitors don’t disclose such information,” Mega CEO Graham Gaylard informs TorrentFreak.


    “Mega works very hard to ensure that the legitimate rights of content owners are respected.”

    Rightscorp has decided to squeeze more money from BitTorrent users it accuses of downloading Warner Bros. TV shows. In a move that's likely to be connected to the anti-piracy outfit's precarious financial position, 'fines' are being increased from $20 to $30. Interestingly, TF has also seen evidence that Rightscorp is targeting server hosting companies too.


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    Most companies attempting to “turn piracy into profit” seek to scare ‘pirates’ by billing them for alleged downloads. These ‘fines’ can reach many thousands of dollars but companies like U.S. based Rightscorp took a decision to hit the bottom end of the market with demands of just $20 per shot.


    While this has attracted giants such as Warner Bros. to the fold, Rightscorp can’t seem to make money. Year after year the company expands the amount of business it’s doing, but at no point has the company been able to turn a profit, quite the opposite in fact.


    Just last month after the publication of its most recent financial results, TF noted that if Rightscorp is put under severe pressure it may have to increase its $20 fines to something more practical. We didn’t have to wait long.


    In a new notice targeting an alleged sharer of the TV show ‘Arrow’ this week, Rightscorp delivers a message from its client Warner Bros. Noting that the company understands that the recipient is likely a fan of the show, the notice warns of serious consequences.


    “Your ISP service could be suspended if this matter is not resolved. You could also be liable for substantial civil penalties for copyright infringement,” it reads.


    In all previous notices seen by TF, Rightscorp asks for $20 to make a potential lawsuit disappear. However, they’re now asking for $30 for “legal release” and the opportunity to “receive future digital content offers from [Warner Bros], should you choose to receive them.”


    At this stage it’s too early to assess whether this ‘pricing’ change will be applied across the board or if it will have any negative effect on the numbers of people choosing to settle. However, 50% more revenue would be welcome. During the past two years Rightscorp has reportedly closed 200,000 cases of infringement – at $30 rather than $20 each that’s a potential $2m extra in revenue.


    That being said, an additional factor concerns how much money Rightscorp will hand back to companies like Warner Bros. Previously a $20 ‘fine’ was split 50/50, with the content holder getting $10 and Rightscorp desperately trying (and failing) to make a profit from the remaining $10. Keeping the full $10 increase would be better news for the anti-piracy company although at current rates that alone won’t be enough for it to turn its losses around. However, help is on the horizon.


    Earlier this month Rightscorp announced the appointment of a new CFO. Cecil Bond Kyte will oversee capital raising and investor development with the goal of “maximizing shareholder value and strengthening the company’s balance sheet.”


    Finally, there are signs that Rightscorp may be expanding its targets. The company already sends hundreds of thousands of notices to household ISPs such as Charter and Comcast, but this week TF has seen evidence that at least one server hosting company has also received a ‘fine’ to pass on to a customer.


    “I am a web developer and recently my VPS was compromised by attackers who were using my VPS as a seedbox. Needless to say, I got a notice from my ISP [REDACTED] via a support ticket they opened,” a reader told TF.


    In this case Rightscorp also asked for $30 to settle a case involving a TV show but the person targeted won’t be paying the fine. Instead he quickly informed his provider that his server had been hacked and immediately had it shut down to avoid any further issues.


    “[Rightscorp] have no idea who I am, due to the fact that they were asking me to fill in my name, email, phone number and credit card info on their payment page!


    “It’s almost like knowingly jumping in a well,” our source concludes.